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The Symphony No. 3 in C minor, Op. 78, was completed by Camille Saint-Saëns in 1886 at the peak of his artistic career. [1] It is popularly known as the Organ Symphony, since, unusually for a late-Romantic symphony, two of the four movements use the pipe organ. The composer inscribed it as: Symphonie No. 3 "avec orgue" (with organ).
An organ symphony is a piece for solo pipe organ in various movements. It is a symphonic genre, not so much in musical form (in which it is more similar to the organ sonata or suite ), but in imitating orchestral tone color, texture, and symphonic process.
The tune was taken from the main theme of the maestoso section of Saint-Saëns' Symphony No.3 in C minor (Symphony with organ) with an added reggae beat. (In the symphony, the theme used in the song is first exposed by the strings section in the second movement; it is later also played by the organ. [2])
Organ Symphony No. 3 may refer to: Organ Symphony No. 3 (Vierne) Symphony No. 3 (Saint-Saëns) or Organ Symphony This page was last edited on 30 ...
Saint-Saëns c. 1880 Charles-Camille Saint-Saëns (UK: / ˈ s æ̃ s ɒ̃ (s)/, US: / s æ̃ ˈ s ɒ̃ (s)/ ; French: [ʃaʁl kamij sɛ̃sɑ̃(s)] ⓘ ; [n 1] 9 October 1835 – 16 December 1921) was a French composer, organist, conductor and pianist of the Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Second Piano Concerto (1868), the First Cello ...
Veni creator in C major: for chorus with organ ad libitum: Choral: sacred — c. 1860: Ô Saint Autel, Cantique en ré majeur for 3 altos, chorus and piano: Canticle Choral: sacred — c. 1860: Pour vous bénir, Signeur, Cantique en mi majeur for 3 altos, chorus and piano: Canticle; words by A. Cuinet Choral: sacred: 42: 1865: Cœli enarrant ...
The Finale is somewhat reminiscent of an American carnival of the 19th century, with one piano always maintaining a bouncy eighth-note rhythm. Although the melody is relatively simple, the supporting harmonies are ornamented in the style that is typical of Saint-Saëns' compositions for piano -- dazzling scales, glissandi and trills.
Charles-Marie-Jean-Albert Widor (21 February 1844 – 12 March 1937) was a French organist, composer and teacher of the late Romantic era. [1] As a composer he is known for his ten organ symphonies, [2] [3] especially the toccata of his fifth organ symphony, which is frequently played as recessional music at weddings and other celebrations.
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