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The subcontrabass flute is a member of the Western concert flute family. With the length of tubing ranging from 4.6 metres (15 ft) (when in G) to 5.5 metres (18 ft) long (when in C), it is the second largest instrument of the family after the hyperbass flute .
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Although described in Adolphe Sax's patent in 1846, a practical, playable subcontrabass saxophone did not exist until the 21st century. [2] An oversized saxophone that might have qualified was built as a prop circa 1965; it could produce tones, but its non-functional keywork required assistants to manually open and close the pads, and it was reportedly incapable of playing a simple scale.
The subcontrabass flute is pitched either in the key of G, a fourth below the contrabass flute in C and two octaves below the alto flute in G, or in F, a fifth below the contrabass flute. It is sometimes called the double contra-alto flute.
Subcontrabass flute in G (also called double contra-alto flute) or C (also called double contrabass flute) Double contrabass flute in C (also called octocontrabass flute or subcontrabass flute) Hyperbass flute in C; Each of the above instruments has its own range. The piccolo reads music in C (like the standard flute), but sounds one octave higher.
J'Élle Stainer is a musical instrument manufacturer specialising in large saxophones based in Italy and São Paulo, Brazil.They are notable for building some of the first subcontrabass saxophones, the largest of the family of instruments conceived of by its Belgian inventor in the 1840s, Adolphe Sax.
The earliest known contrabass clarinet was the contre-basse guerrière invented in 1808 by a goldsmith named Dumas of Sommières; little else is known of this instrument. . The batyphone (also spelled bathyphone, Ger. and Fr. batyphon) was a contrabass clarinet which was the outcome of W. F. Wieprecht's endeavor to obtain a contrabass for the reed instrume
Only a very small number of these large novelty instruments have ever been built. Most are pitched in thirty-six-foot (36′) BBB♭ an octave lower than the BB♭ contrabass tuba, their fundamental note B♭ -1 corresponding to a frequency of 15 Hz – such a slow vibration that it can scarcely be perceived as a note.