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Gopi is known for the romantic and dramatic portrayal of the virtuous pachcha roles in Kathakali, notable among them being Nalan, Karnan and Rukmangadan.He has also played the choreographically denser roles of Bheeman (in the stories Kalyanasougandhikam or Bakavadham), Arjuna (Subhadraharanam) and Dharmaputrar (that's Yudhishthira in Kirmeeravadham).
Kathakali is different from a similar-sounding Kathak, though both are Indian classical dance traditions of "story play" wherein the stories have been traditionally derived from the Hindu epics and the Puranas. Kathak is an ancient performance art that emerged in North India, with roots in traveling bards retelling mythical and spiritual ...
Kathakali dance is a classic Indian dance form that was traditionally performed by men. [3] Dancers use masks to play different roles. This art form began in 1661 when the ruler of Kottarakkara created Ramanattam, an early version of Kathakali that dramatized episodes from the Ramayana in Malayalam, making the art form accessible to a broader audience across castes.
Padmanabhan Nair has co-authored a book on his father-guru Pattikkamthodi. But his more weighty works are Kathakali Vesham (1980) and Cholliyattam (2000), both two-volume tomes that deal with the grammar and aesthetics of classical storyplays in the highly evolved Kalluvazhi school of Kathakali of north-central Kerala.
His achievements as a Kathakali actor are due to the sincere discipline of Kalamandalam Krishnan Nair. [ 1 ] An expert in both Pacha and Kathi roles in kathakali, his Kathi roles as Duryodhana , Kichaka and Ravana characters in the stories of Duryodhana Vadham , Uttarasvayamvaram and Nizhal kuthu are famous. [ 1 ]
Kathakali is performed each evening. [ 11 ] [ 2 ] Pantheerayiram is the offering of 12,001 bananas in a special ritual, [ 8 ] usually made at the Pantheeradi (second) puja . The Kesaadipaadam garland is a flower garland, measuring about 15 feet, which adorns the deity during the third and fourth pujas . [ 4 ]
Keechakavadham (The Slaying of Keechaka) is a Kathakali play authored by Irayimman Thampi [1] in Malayalam.Based on the Mahabharatha, it narrates an episode from the thirteenth year of exile of the Pandava princes, during which they stay in disguise at the palace of the King of Virata. [2]
Pattikkamthodi Ravunni Menon (1880–1948) was a pivotal figure in the history of Kathakali, having played a crucial role in remoulding and refining its grammar in the famed Kalluvazhi tradition of the classical dance-drama from Kerala in south India. [1]