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The play's setting is a barren, empty landscape, and the characters are caught in an endless wait for something that never arrives. The Void here represents the absence of meaning, purpose, and resolution, reflecting the existentialist idea that life is fundamentally devoid of intrinsic meaning. [27]
Shevirat HaKelim describes how, after the tzimtzum, God created the vessels (HaKelim) in the empty space, and how when God began to pour his Light into the vessels they were not strong enough to hold the power of God's Light and shattered (Shevirat). The third step, Tikkun, is the process of gathering together, and raising, the sparks of God's ...
The first Chinese dictionary of characters, Xu Shen's c. 121 CE Shuowen jiezi, provides a representative set of ancient Han dynasty "wine vessel" names. Zhī (卮 or 巵) is defined as "a round vessel (圜器), also called dàn , used to regulate drinking and eating (節飲食)", which is a classical allusion to the Yijing (27).
The Tao is the fundamental and central concept of these schools of thought. Taoism perceives the Tao as a natural order underlying the substance and activity of the Universe. Language and the "naming" of the Tao is regarded negatively in Taoism; the Tao fundamentally exists and operates outside the realm of differentiation and linguistic ...
Bagua diagram from Zhao Huiqian's (趙撝謙) Liushu benyi (六書本義, c. 1370s).. The Daodejing (also known as the Laozi after its purported author, terminus ante quem 3rd-century BCE) has traditionally been seen as the central and founding Taoist text, though historically, it is only one of the many different influences on Taoist thought, and at times, a marginal one at that. [12]
The Ten Precepts of Taoism were outlined in a short text that appears in Dunhuang manuscripts (DH31, 32), the Scripture of the Ten Precepts (Shíjiè jīng 十戒經). The precepts are the classical rules of medieval Taoism as applied to practitioners attaining the rank of Disciple of Pure Faith (qīngxīn dìzǐ 清心弟子).
The term dàojiàotú (道教徒; 'follower of Dao'), with the meaning of "Taoist" as "lay member or believer of Taoism", is a modern invention that goes back to the introduction of the Western category of "organized religion" in China in the 20th century, but it has no significance for most of Chinese society in which Taoism continues to be an ...
In Chinese philosophy, a taijitu (Chinese: 太極圖; pinyin: tàijítú; Wade–Giles: tʻai⁴chi²tʻu²) is a symbol or diagram (圖; tú) representing taiji (太極; tàijí; 'utmost extreme') in both its monist and its dualist (yin and yang) forms in application is a deductive and inductive theoretical model.