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  2. This frame was a piece of cake to assemble. - Carissa Miss

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  2. Verre églomisé - Wikipedia

    en.wikipedia.org/wiki/Verre_églomisé

    Glomy's technique was a relatively simple one of applying decorative designs in a combination of plain colour and gilding, usually to glass picture frames. However, over time it has come to be used to describe nearly any process involving back-painted and gilded glass, however elaborate. [2]

  3. Reverse glass painting - Wikipedia

    en.wikipedia.org/wiki/Reverse_glass_painting

    Another term used to refer to the art of cold painting and gilding on the back of glass is verre églomisé, named after the French decorator Jean-Baptiste Glomy (1711–86), who framed prints using glass that had been reverse-painted. [1] In German it is known as Hinterglasmalerei. This art form has been around for many years.

  4. Claude glass - Wikipedia

    en.wikipedia.org/wiki/Claude_glass

    Claude Lorrain mirror in shark skin case. A Claude glass (or black mirror) is a small mirror, slightly convex in shape, with its surface tinted a dark colour. Bound up like a pocket-book or in a carrying case, Claude glasses were used by artists, travelers and connoisseurs of landscape and landscape painting.

  5. Conservation and restoration of painting frames - Wikipedia

    en.wikipedia.org/wiki/Conservation_and...

    A frame before and after treatment. The conservation and restoration of painting frames is the process through which picture frames are preserved. Frame conservation and restoration includes general cleaning of the frame, as well as in depth processes such as replacing damaged ornamentation, gilding, and toning. The purpose of painting frames ...

  6. Self-Portrait in a Convex Mirror (Parmigianino) - Wikipedia

    en.wikipedia.org/wiki/Self-Portrait_in_a_Convex...

    The painting depicts the young artist (then twenty-one) in the middle of a room, distorted by the use of a convex mirror. The hand in the foreground is greatly elongated and distorted by the mirror. The work was painted on a specially prepared convex panel in order to mimic the curve of the mirror used.

  7. Arnolfini Portrait - Wikipedia

    en.wikipedia.org/wiki/Arnolfini_Portrait

    The convex mirror at the back, in a wooden frame with scenes of The Passion painted behind glass, is shown larger than such mirrors could actually be made at this date – another discreet departure from realism by van Eyck. There is also no sign of a fireplace (including in the mirror), nor anywhere obvious to put one.

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