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Record Collector magazine listed the guide price at £200,000 in issue 408 (December 2012). McCartney had some "reissues" pressed in 1981 on UK 10-inch 78 RPM and 7-inch 45 RPM, in reproduction Parlophone sleeves, 25 copies of each; these are estimated to be worth upwards of £10,000 each. [5] [6]
Early American shellac records were all 7-inch until 1901, when 10-inch records were introduced. 12-inch records joined them in 1903. [2] By 1910, other sizes were retired and nearly all discs were either 10-inch or 12-inch, although both sizes were normally a bit smaller than their official diameter.
A twelve-inch Capitol Records gramophone record. The twelve-inch single (often written as 12-inch or 12″) is a type of vinyl (polyvinyl chloride or PVC) gramophone record that has wider groove spacing and shorter playing time with a "single" or a few related sound tracks on each surface, compared to LPs (long play) which have several songs on each side.
The introduction of both the 33 1 ⁄ 3 rpm, 12-inch LP record and the 45rpm, 7-inch record, coming into the market in 1948/1949, provided advances in both storage and quality. These records featured vinyl (polyvinyl chloride or polystyrene), replacing the previous shellac materials.
Three vinyl records of different formats, from left to right: a 12 inch LP, a 10 inch LP, a 7 inch single. A phonograph record (also known as a gramophone record, especially in British English) or a vinyl record (for later varieties only) is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove.
This is the complete discography of the main 12-inch (8000) series of LPs issued by Verve Records, a label founded in 1956 by producer Norman Granz in Los Angeles, California. Alongside new sessions Granz re-released many of the recordings of his earlier labels Clef and Norgran on Verve.
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