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For women, the styles of hats changed over time and were designed to match their outfits. During the early Victorian decades, voluminous skirts held up with crinolines, and then hoop skirts, were the focal point of the silhouette. To enhance the style without distracting from it, hats were modest in size and design, straw and fabric bonnets ...
Dark green coat, 83% wool 12% polyamide 5% polyester. World War II womenswear, the Netherlands. Prior to the inception of the Ulster coat in the first half of the nineteenth century, the greatcoat or surtout was the main component of a gentleman's wardrobe.
A top-frock coat may also be worn over a frock coat in milder weather. Shaped like the body coats popular in the Victorian and Edwardian periods , the over-frock coat was cut in essentially the same way as the frock coat that was worn under it, although it would be larger overall to accommodate the frock-coat worn underneath.
A daguerreotype of a Victorian couple from the 1840s showing a pelerine. Riding habits consisted of a high-necked, tight-waisted jacket with long snug sleeves, worn over a tall-collared shirt or chemisette, with a long matching petticoat or skirt. Contrasting waistcoats or vests cut like those worn by men were briefly popular.
His coat has wide lapels and contrasting waistcoat have wide lapels, 1860–1862. Wilhelm Taubert wears a dark necktie tied in a bow and slightly winged collar. German, 1862. Thomas D'Arcy McGee wears a dark double-breasted frock coat over a high-buttoned single-breasted waistcoat and trousers., 1868.
Frock coats had the same nipped-in waist and full skirts. Very fashionable sleeves were gathered or pleated into a slightly puffed "leg of mutton" shape. Coats could be made of wool or velvet, and jewel colors like bottle green and midnight blue were high style. Double-breasted coats were very much in fashion throughout the decade.
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