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Cupid was the enemy of chastity, and the poet Ovid opposes him to Diana, the virgin goddess of the hunt who likewise carries a bow but who hates Cupid's passion-provoking arrows. [71] Cupid is also at odds with Apollo, the archer-brother of Diana and patron of poetic inspiration whose love affairs almost always end disastrously. Ovid jokingly ...
Cupid is forever linked to Valentine's Day, but how much do you know about this chubby mythical matchmaker? The post Why Is Cupid the Symbol of Valentine’s Day? appeared first on Reader's Digest.
Articles relating to the god Cupid and his depictions. He is the god of desire, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus and the god of war Mars. He is also known in Latin as Amor ("Love"). His Greek counterpart is Eros
Apollo (Phoebus) – Greek god of healing, archery, music and arts, sunlight, knowledge, and patron of Delphi. Regarded as a great warrior and as the most beautiful of the gods. [3] Eros (Cupid, Amor) – god of love and sex; also known for his use of bow and arrow. He was often depicted as a winged boy, beginning in the Hellenistic period.
In ancient Greek mythology, Rhodopis (Ancient Greek: Ῥοδῶπις, romanized: Rhodôpis, lit. 'rosy-faced', [1] Ancient Greek pronunciation: [r̥odɔ̂ːpis]) and Euthynicus [a] (Ancient Greek: Εὐθύνικος, romanized: Euthúnikos) are two young hunters sworn to chastity who incurred the wrath of Aphrodite, the goddess of love and beauty. [2]
Cupid and Psyche is a story originally from Metamorphoses (also called The Golden Ass), written in the 2nd century AD by Lucius Apuleius Madaurensis (or Platonicus). [2] The tale concerns the overcoming of obstacles to the love between Psyche (/ ˈ s aɪ k iː /; Ancient Greek: Ψυχή, lit.
The novel itself is written in a picaresque Roman style, yet Psyche retains her Greek name even though Eros and Aphrodite are called by their Latin names (Cupid and Venus). Also, Cupid is depicted as a young adult, rather than a fat winged child (putto amorino). [28] The story tells of the quest for love and trust between Eros and Psyche.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.