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There are also special symbols in Chinese arts, such as the qilin, and the Chinese dragon. [1] According to Chinese beliefs, being surrounding by objects which are decorated with such auspicious symbols and motifs was and continues to be believed to increase the likelihood that those wishes would be fulfilled even in present-day. [2]
The Twelve Ornaments (Chinese: 十二章; pinyin: Shí'èr zhāng) are a group of ancient Chinese symbols and designs that are considered highly auspicious. They were employed in the decoration of textile fabrics in ancient China, which signified authority and power, and were embroidered on vestments of state.
Neigong (internal strength [1] or internal skill [2]), also spelled nei kung, neigung, or nae gong, refers to a series of internal changes that a practitioner goes through when following the path to Dao, and these changes may be achieved through practices including qigong or tai chi. [3]
Fulu for placement above the primary entrance of one's home, intended to protect against evil. Fulu (traditional Chinese: 符籙; simplified Chinese: 符箓; pinyin: fúlù) are Taoist magic symbols and incantations, [1] [2] translatable into English as 'talismanic script', [a] which are written or painted on talismans by Taoist practitioners.
In Chinese philosophy, a taijitu (Chinese: 太極圖; pinyin: tàijítú; Wade–Giles: tʻai⁴chi²tʻu²) is a symbol or diagram (圖; tú) representing taiji (太極; tàijí; 'utmost extreme') in both its monist and its dualist (yin and yang) forms in application is a deductive and inductive theoretical model.
Other variations include "the clinging, fire" and "the net". Its inner (lower) trigram is ☲ (離 lí) radiance = (火) fire, and its outer (upper) trigram is identical. The origin of the character has its roots in symbols of long-tailed birds such as the peacock or the legendary phoenix.
The term neijia and the distinction between internal and external martial arts first appears in Huang Zongxi's 1669 Epitaph for Wang Zhengnan. [2] Stanley Henning proposes that the Epitaph 's identification of the internal martial arts with the Taoism indigenous to China and of the external martial arts with the foreign Buddhism of Shaolin—and the Manchu Qing Dynasty to which Huang Zongxi ...
The Emperor of China usually used a Chinese dragon as a symbol of the imperial power and strength. Generally, a five-clawed dragon was used by emperors only. In Chinese culture, a flaming pearl is shown on top of the dragon's head. The pearl is associated with wealth, good luck, and prosperity.
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