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The parlour was the most important room in a home and was the showcase for the homeowners where guests were entertained. The dining room was the second-most important room in the house. The sideboard was most often the focal point, which attracts visitor’s eyes immediately when they go into a room or space, [ 1 ] of the dining room and very ...
The Eastlake movement was a nineteenth-century architectural and household design reform movement started by British architect and writer Charles Eastlake (1836–1906). The movement is generally considered part of the late Victorian period in terms of broad antique furniture designations.
Bed hangings provided privacy when the master or great bed was in a public room, such as the parlor, but also showed evidence of wealth when beds were located in areas of the home where . They also kept warmth in, and were a way of showing one's wealth. When bedrooms became more common in the mid-1700s, the use of bed hangings diminished.
Go beyond the traditional home layout with bonus room ideas that help cater to your passions, up your enjoyment, and make the most of your square footage. ... 10 Living Room Design Trends We're ...
In larger Victorian houses it was common to have accessible from the bedroom a boudoir for the lady of the house and a dressing room for the gentleman. [2] Attic bedrooms exist in some houses; since they are only separated from the outside air by the roof they are typically cold in winter and may be too hot in summer.
English furniture has developed largely in line with styles in the rest of northern Europe, but has been interpreted in a distinctive fashion.There were significant regional differences in style, for example between the North Country and the West Country.
Grand Neoclassical interior by Robert Adam, Syon House, London Details for Derby House in Grosvenor Square, an example of the Adam brothers' decorative designs. The Adam style (also called Adamesque or the Style of the Brothers Adam) is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728 ...
The design of the scallop shell back for chairs is associated with the designer Francis Cleyn who worked in England from the 1620s. [2] Settees were made at this time whose backs consisted of several just such immense scallops as those of these Holland House Gilt Chamber chairs; [ 3 ] and the same idea of decoration peeps out in fan-like frills ...
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