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Erasure poetry, or blackout poetry, is a form of found poetry or found object art created by erasing words from an existing text in prose or verse and framing the result on the page as a poem. [1] The results can be allowed to stand in situ or they can be arranged into lines and/or stanzas .
Adrian Blevins was born in Abingdon, Virginia to a family of artists, including her grandfather (Banner Blevins who was a painter, sculptor, and cabinetmaker), her father (Tedd Blevins, who was a Virginia Intermont College art professor and painter), her stepfather (Jake Cress, who is a cabinetmaker), and her stepmother (Carole Blevins who is a ...
A 1999 painting titled I Can’t Be a Bride Anymore by Yuko Tatsushima became attached to the 1919 poem "Tomino's Hell", with claims that the painting was cursed. Tatsushima has stated that most of her paintings are self-portraits, and often incorporate themes of sexual abuse, nuclear holocaust, and borderline personality disorder. [25]
Robert Kipniss (born Brooklyn, New York, February 1, 1931) is an American painter and printmaker. His mature paintings, lithographs, mezzotints, and drypoints share stylistic characteristics and subject matter and typically depict trees seen close up or at varying distances in fields.
Bissett moved to Vancouver, British Columbia in 1958. [5] In 1962, he started blewointment magazine. [5] He later launched blewointmentpress, which has published volumes by Cathy Ford, Maxine Gadd, Michael Coutts, Dick Clements writing under the pen name, "p.x. belinsky", Hart Broudy, Rosemary Hollingshead, Beth Jankola, Carolyn Zonailo, bpNichol, Ken West, Lionel Kearns and D. A. Levy.
Beat Poems (1959), New York: Deretchink. All of Ted Joans and No More (1961), with collages by the author, New York: Excelsior Press. The Truth (1960) The Hipsters with collages by the author (1961), New York: Corinth. A Black Pow-Wow Of Jazz Poems (1969), London: Marion Boyars Publishers Ltd. Black Pow-Wow Jazz Poems (1969), New York: Hill and ...
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"Halloween" is a poem written by the Scottish poet Robert Burns in 1785. [1] First published in 1786, the poem is included in the Kilmarnock Edition . It is one of Burns' longer poems, with twenty-eight stanzas, and employs a mixture of Scots and English.