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An epicanthic fold or epicanthus [6] is a skin fold of the upper eyelid that covers the inner corner (medial canthus) of the eye. [3] However, variation occurs in the nature of this feature and the possession of "partial epicanthic folds" or "slight epicanthic folds" is noted in the relevant literature.
They keep the eyes from drying out when asleep. Moreover, the blink reflex protects the eye from foreign bodies. A set of specialized hairs known as lashes grow from the upper and lower eyelid margins to further protect the eye from dust and debris. The appearance of the human upper eyelid often varies between different populations.
When Koinomi says the eyes are complete, a stunned Fujimori agrees, and the work on the rest of the pieces quickens. Finally, the Zengen-ji Amida is reassembled and whole again, and the beauty and power of the statue and its famous half-lidded eyes are unlike anything the workshop has ever experienced, bowing even Master Fujimori.
Sometimes, the male eye is depicted smaller than the female one and a half-moustache is also seen. [28] [29] A half third eye (trinetra) is prescribed on the male side of the forehead in the canons; a full eye may also be depicted in middle of forehead separated by both the sides or a half eye may be shown above or below Parvati's round dot.
Dekeyzer gives its date as circa 1460, and remarks it can be dated to the last years of van der Weyden's career on the basis of style, the broad forehead and narrow heavy-lidded eyes of the Virgin bearing a marked resemblance to the one in the Diptych of Philip de Croÿ with The Virgin and Child, which can be dated to 1460 on historical grounds ...
The character's eye shapes and sizes are sometimes symbolically used to represent the character. For instance, bigger eyes will usually symbolize beauty, innocence, or purity, while smaller, more narrow eyes typically represent coldness and/or evil. Completely blackened eyes (shadowed) indicates a vengeful personality or underlying deep anger.
Margaret D. H. Keane (born Margaret Doris Hawkins, September 15, 1927 – June 26, 2022) [1] was an American artist known for her paintings of subjects with big eyes. She mainly painted women, children, or animals in oil or mixed media.
Mikako Tokugawa, wife of Yoshinobu Tokugawa, with hikimayu A poster for the 1953 film Ugetsu.The woman in the foreground has hikimayu.. Hikimayu (引眉) was the practice of removing the natural eyebrows and painting smudge-like eyebrows on the forehead in pre-modern Japan, particularly in the Heian period (794–1185).