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Laxmanrao Sardessai (1904–1986) was an Indian poet and short-story writer. Considered one of Goa's finest writers in the Marathi language, he also wrote prose and verse in Konkani and Portuguese. Sardessai was born in 1904, in Savoi Verem, and died in 1986.
In short, this will be recorded as a unique love story in Marathi". [5] A reviewer of Loksatta wrote "In the name of making a simple straightforward film, the hero-heroine is spent the entire time in the mall and the sea. Overall the movie 'Tuji Majhi Love Story' has become just a typical love story". [6]
Some of GA's short stories have been translated into English, Hindi, and Kannada. He was honoured in 1973 with a Sahitya Akademi Award for his collection of short stories Kajalmaya. [5] Critically acclaimed [6] Marathi movie Kairee, [7] which was directed by Amol Palekar, was based on one of his short stories. Based on GA's short story ...
Dnyaneshwar as imagined by the Ravi Varma press. Epigraphic evidence suggests that Marathi was a standard written language by the 12th century. However, the earliest records of actual literature in Marathi appear only in the late 13th century. [3]
Baburao Ramji Bagul (1930–2008) was a Marathi writer from Maharashtra, India; a pioneer of modern literature in Marathi and an important figure in the Indian short story during the late 20th century, when it experienced a radical departure from the past, with the advent of Dalit writers such as him.
Rau (also referred to as Rauu) is a 1972 Marathi historical fiction novel by N S Inamdar. The story revolves around the fictionalized romance between real-life historical characters of the Maratha General Peshwa Baji Rao I and his second wife Mastani (born of a Hindu father and Muslim mother). The novel revolves around the outrage caused by the ...
Shyamchi Aai (Marathi: श्यामची आई; English: Shyam's Mother) is an autobiography of social activist Pandurang Sadashiv Sane (known as Sane Guruji). Its regarded as one of the greatest tributes to mother's love in Marathi literature. [citation needed]
The story is taken from the Yayatopakhyan (lit. The Story of Yayati), a sub-narrative in Adi Parva (The Book of the Beginning) of the Mahabharata. Khandekar builds the original material into a full-length novel, adding several new episodes and developing the narrative as a love story with a theme of morality. [3]