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  2. Driftin' Blues - Wikipedia

    en.wikipedia.org/wiki/Driftin'_Blues

    "Driftin' Blues" or "Drifting Blues" is a blues standard, recorded by Johnny Moore's Three Blazers in 1945. The song is a slow blues and features Charles Brown 's smooth, soulful vocals and piano. It was one of the biggest blues hits of the 1940s and "helped define the burgeoning postwar West Coast blues style". [ 1 ] "

  3. Eight-bar blues - Wikipedia

    en.wikipedia.org/wiki/Eight-bar_blues

    Eight-bar blues progressions have more variations than the more rigidly defined twelve bar format. The move to the IV chord usually happens at bar 3 (as opposed to 5 in twelve bar); however, "the I chord moving to the V chord right away, in the second measure, is a characteristic of the eight-bar blues." [1]

  4. Johnny Guitar (song) - Wikipedia

    en.wikipedia.org/wiki/Johnny_Guitar_(song)

    "Johnny Guitar" is a song written by Peggy Lee (lyrics) and Victor Young (music) and was the title track of the 1954 film of the same name, directed by Nicholas Ray and starring Joan Crawford. The music loosely echoes several themes from Spanish Dance No. 5: Andaluza by Enrique Granados , which was written for piano, but is often played on ...

  5. Blue note - Wikipedia

    en.wikipedia.org/wiki/Blue_note

    The blue notes are usually said to be the lowered third, lowered fifth, and lowered seventh scale degrees. [1] [2] [3] The lowered fifth is also known as the raised fourth. [4] Though the blues scale has "an inherent minor tonality, it is commonly 'forced' over major-key chord changes, resulting in a distinctively dissonant conflict of ...

  6. Boogie Chillen' - Wikipedia

    en.wikipedia.org/wiki/Boogie_Chillen'

    Boogie-woogie is based on a left-hand piano ostinato or walking-bass line and, as performed on guitar, forms the popular 1940s instrumental "Guitar Boogie". [ 5 ] [ d ] Rather than being derivative, Hooker's boogie becomes "as overwhelmingly personal a piece as anything ever done in the blues".

  7. Sixteen-bar blues - Wikipedia

    en.wikipedia.org/wiki/Sixteen-bar_blues

    Here, the twelve-bar progression's last dominant, subdominant, and tonic chords (bars 9, 10, and 11–12, respectively) are doubled in length, becoming the sixteen-bar progression's 9th–10th, 11th–12th, and 13th–16th bars, [citation needed]

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