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Iago plots to manipulate Othello into demoting Cassio, and thereafter to bring about the downfall of Othello himself and also others in the play who trusted Iago. He has an ally, Roderigo , who assists him in his plans in the mistaken belief that after Othello is gone, Iago will help Roderigo earn the affection of Othello's wife, Desdemona.
But from the third act onwards Othello catches this line of imagery from Iago as his irrational jealousy takes hold. [58] The same occurs with "diabolical" imagery (i.e. images of hell and devils) of which Iago uses 14 of his 16 diabolical images in the first two acts, yet Othello uses 25 of his 26 in the last three acts.
Othello, a General in the Venetian army, promotes a young officer, Michael Cassio, enraging Iago—the General's ensign—who expected the post himself. Outwardly loyal to Othello and his recently married wife, Desdemona, Iago proceeds to cause dissension within Othello's camp (for instance, tuning Othello's new father-in-law against him, and causing Cassio to fight another officer).
The second act takes place on the island of Cyprus, within the world of Othello. During the scene where Othello resolves to kill his wife, Constance intervenes and reveals that Iago is tricking Othello. Othello binds Iago and expresses his gratitude to Constance. Desdemona arrives and asks whether Constance may stay with them.
Probably first performed for King James I at the Whitehall Palace on 1 November 1604. [12] Summary Othello, a Moor and military general living in Venice, elopes with Desdemona, the daughter of a senator. Later, in Cyprus, he is persuaded by his servant Iago that his wife is having an affair with Michael Cassio, his lieutenant. Iago's story ...
[23] Marshall also played Othello in a jazz musical version, Catch My Soul, with Jerry Lee Lewis as Iago, in Los Angeles in 1968. [24] His Othello was captured on record in 1964 with Jay Robinson as Iago and on video in 1981 with Ron Moody as Iago. The 1982 Broadway staging starred James Earl Jones as Othello and Christopher Plummer as Iago.
In extended discussions of Hazlitt's critical treatment of the character of Iago in Othello, [348] of Shylock in The Merchant of Venice, [349] of Caliban in The Tempest, [350] of Hamlet, [87] and, at great length, of Coriolanus, [351] he uses the contrast between Coleridge's criticism and Hazlitt's to highlight the essential originality of ...
After breaking off from Iago, who hid in the earlier scene from Brabantio's sight, he joins Brabantio and his men in their journey to Sagittary in Act One, Scene Two, in hopes of finding Othello and Desdemona. In Act Two, Roderigo joins Iago in his journey to Cyprus, where the Venetians are expecting a Turk invasion, in hopes of being able to ...