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Jeté - Also known as "ricochet" bowing, this consists of "throwing" the bow on the string in the upper third of the bow on a down bow, so that it bounces and produces a series of rapid notes. Usually from two to six notes are sounded this way, but up to ten or eleven can be played.
A similar device called the "Vega bow" was built in 1954 under the sponsorship of the violinist Emil Telmányi. [2] Neither of these bows bears any particular relation to historical Baroque bows and neither has ever been widely employed. In 1990, German cellist Michael Bach invented a curved bow for cello, violin, viola and bass. [3]
A violin is usually played using a bow consisting of a stick with a ribbon of horsehair strung between the tip and frog (or nut, or heel) at opposite ends. A typical violin bow may be 75 cm (30 in) overall, and weigh about 60 g (2.1 oz). Viola bows may be about 5 mm (0.20 in) shorter and 10 g (0.35 oz) heavier.
The bowing technique most often used for bariolage is called ondulé in French or ondeggiando In Italian. [8] Bariolage may also be executed with separate bow strokes. [9] The French violinist-composer Pierre Baillot writes in his pedagogical treatise of 1834, L'Art du violon (perhaps looking back on what he considered an earlier, less advanced ...
Bow stroke; Bowed string instrument extended technique; C. ... Violin technique; W. Wolf tone This page was last edited on 23 February 2012, at 23:31 ...
Although it was an important technique for 19th-century violinists, its use increased significantly in the 20th century. The ability to perform spiccato was facilitated by the development of the Tourte bow – the modern bow, in which the bow had a concave curve, developed by François Tourte partly in collaboration with Giovanni Battista Viotti .
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Suite for Solo Violin No. 1, Op. 7 -dedicated to Igor Bezrodny-Suite for Solo Violin No. 2, Op. 13 -dedicated to Vladimir Avramov-Jenő Hubay. 6 Etudes for the Development of Bow Technique -pedagogical work-, Op.63 (1896) 6 Etudes for the Development of Left-Hand Technique -pedagogical work-, Op.64 (1896)
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