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Screen printing is a printing technique where a mesh is used to transfer ink (or dye) onto a substrate, except in areas made impermeable to the ink by a blocking stencil.A blade or squeegee is moved across the screen in a "flood stroke" to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact.
The essential tools required are a squeegee, a mesh fabric, a frame, and a stencil. Unlike many other printmaking processes, a printing press is not required, as screen printing is essentially stencil printing. Screen printing may be adapted to printing on a variety of materials, from paper, cloth, and canvas to rubber, glass, and metal.
The soup can prints brought renewed vitality to the medium of screen printing, perhaps more so than any other artwork since the screen prints of Anthony Velonis and the WPA Federal Art Project team he led in the late 1930's. [68] 1962 – Robert Rauschenberg began producing lithographs at Universal Limited Art Editions.
In their 1970 book “Silk-Screen Printing for Artists & Craftsmen”, Mathilda V. and James A. Schwalbach wrote that a “major force in the development of serigraphy as a fine art was the formation in 1940 of the National Serigraph Society.
Citing the pioneering efforts of artist Anthony Velonis, who initially spearheaded the use of the silk screen technique in the Poster Division of the W.P.A., for recognizing the possibilities of the medium, Warsager noted that the 'economy and ease of this process enabled the artist to employ sixteen to twenty colors to a print, whereas color ...
The term usually refers to the arts that rely more on line, color or tone, especially drawing and the various forms of engraving; [2] it is sometimes understood to refer specifically to drawing and the various printmaking processes, [2] such as line engraving, aquatint, drypoint, etching, mezzotint, monotype, lithography, and screen printing ...
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