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The following is a very incomplete list of notable works in the collections of the Musée du Louvre in Paris. For a list of works based on 5,500 paintings catalogued in the Joconde database, see the Catalog of paintings in the Louvre Museum .
The Catalog of paintings in the Louvre Museum lists the painters of the collection of the Louvre Museum as they are catalogued in the Joconde database. The collection contains roughly 5,500 paintings by 1,400 artists born before 1900, and over 500 named artists are French by birth.
The Louvre's extensive collections of Asian art were moved to the Guimet Museum in 1945. Nevertheless, the Louvre's first gallery of Islamic art opened in 1893. [60] Generalfeldmarschall Gerd von Rundstedt is seen with a plaster model of the Venus de Milo, [61] while visiting the Louvre with the curator Alfred Merlin on 7 October 1940.
'Gallery of the Louvre is an 1833 oil painting by the American artist Samuel Morse. It depicts a view of the Louvre in Paris. [1]Morse had trained in London. On returning to the United States he developed a reputation as a portraitist including his 1819 depiction of James Monroe However, he is better known today as an inventor who gave his name to the Morse Code.
The three versions of Ancient Rome, in order of creation, are located in the Staatsgalerie Stuttgart, the Metropolitan Museum of Art in New York and the Louvre in Paris. The Metropolitan Museum of Art and the Louvre each hold a version of Panini's companion piece, Modern Rome; and the third version is in the Museum of Fine Arts, Boston.
Objets d'art in the Louvre (10 P) P. Paintings in the Louvre (9 C, 4 P) S. Sculptures in the Louvre (4 C, 8 P) Pages in category "Collection of the Louvre"
Paintings in the Louvre by Italian artists (1 C, 121 P) S. Paintings in the Louvre by Spanish artists (3 C, 4 P) Pages in category "Paintings in the Louvre"
The two paintings of the Virgin of the Rocks that now belong to the National Gallery, London, and that belonging to the Louvre Museum, Paris, are the same in subject matter and in overall composition, indicating that one is derivative of the other. The two paintings differ in compositional details, in colour, in lighting and in the handling of ...
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