Search results
Results from the WOW.Com Content Network
"Ekusher Gan" (Bengali: একুশের গান [ˈekuʃeɾ gan]; "Song of the Twentyfirst"), more popularly known by its incipit as "Amar Bhaiyer Rokte Rangano" (Bengali: আমার ভাইয়ের রক্তে রাঙানো [ˈamaɾ ˈbʱai̯jeɾ ˈrɔkte ˈraŋano]; "My Brothers' Blood Spattered"), is a Bengali protest song written by Abdul Gaffar Choudhury to mark the ...
Download QR code; Print/export ... Many artists have written songs about child abuse, ... "Dance Music", by The Mountain Goats "Damaged", ...
She also sang few songs for live concerts in Malaysian, Sinhala, Swahili, English, Konkani and Ladakhi languages. [ 1 ] Ghoshal's career began when she won the Sa Re Ga Ma Pa contest as an adult.
The leading proponent of Bengali music is Rabindranath Tagore (known in Bengali as Robi Thakur and Gurudeb, the latter meaning "Respected Teacher" (in the Bengal of that time, the suffix 'deb' was an honorific, ascribed to people who enjoyed immense respect, but this title was primarily used by his students at Santiniketan, though many others ...
Egodahage George Wilfred Alwis Samarakoon (13 January 1911 – 2 April 1962) known as Ananda Samarakoon was a Sri Lankan (Sinhalese) composer and musician. He composed the Sri Lankan national anthem "Namo Namo Matha" and is considered the father of artistic Sinhala music and founder of the modern Sri Lankan Sinhala Geeta Sahitya (Song Literature). [1]
"Master Sir" (Sinhala: මාස්ටර් සර්) is a Sinhala pop song written by Sri Lankan singer/songwriter Nimal Mendis for the film Kalu Diya Dhahara ("A column of black water"), in which it was performed over the title sequence by Neela Wickramasinghe. [1]
According to Abbasuddin Ahmed, this music is like the random and pleasant wind blowing from North Bengal called Bhawaiya. According to a survey taken of performers of Bhawaiya (conducted by the Folk Cultural and Tribal Cultural Centre, Government of West Bengal ), the name is derived from the word Bhao , which was transformed into Bhav .
Known as the "Father of the Modern Sinhala Music" [1] He was pivotal in the development of Sinhala music and folk songs in the mid to late 1940s and early 1950s. [2] [3] He composed the beloved soundtracks to Lester James Peries' films Rekava and Sandesaya in 1956 and 1960. In a later comeback, he produced several experimental works. [4]