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Self-Portrait (Kramskoi) Self-Portrait (Chassériau) Self-Portrait at 69 years; Self-Portrait in a Hat; Self-Portrait of the Artist with her Father; Self-Portrait with Palette (Manet) Self-Portrait with the Yellow Christ; The Spanish Singer; Portraits at the Stock Exchange; Symphony in White, No. 1: The White Girl; Symphony in White, No. 2: The ...
Furthermore, art historian Anne Higonnet argued in 2011 that the work is a self-portrait. [ 6 ] Villers exhibited Study of a young woman sitting on a window and two other works at the Salon of 1801, followed at the Salon of 1802 by a genre painting entitled A child in its cradle and A Study of a Woman from Nature . [ 7 ]
Gallery of Beauties The Nymphenburg Palace seen from its park. The Gallery of Beauties (German: Schönheitengalerie) is a collection of 38 portraits of the most beautiful women from the nobility and bourgeoisie of Munich, Germany, gathered by King Ludwig I of Bavaria in the south pavilion of his Nymphenburg Palace. [1]
Ruth Matilda Anderson (1893 – 1983), a graduate of the Clarence H. White School of Photography, starts taking more than 14.000 documentary photographs of rural life in early 20th-century Spain for the Hispanic Society of America. Her work has found appreciation after her death in exhibitions and catalogs.
Woman Reading is a 19th-century (portrait painting) by Susan Macdowell Eakins. It is in the collection of the Metropolitan Museum of Art. [1] Woman Reading probably depicts the artist's sister Elizabeth Macdowell Kenton. It is one of Eakins' many portraits of her family members in interior settings. [1]
The portrait is characterized by the pale flesh tone of the subject contrasted against a dark-colored dress and background. The scandal resulting from the painting's controversial reception at the Paris Salon of 1884 amounted to a temporary setback to Sargent while in France, [ 2 ] though it may have helped him later establish a successful ...
The Nineteenth-Century Woman: Her Cultural and Physical Worlds (1978). Doughan, David, and Peter Gordon. Dictionary of British Women's Organisations, 1825-1960 (Routledge, 2014). Flanders, Judith. Inside the Victorian Home: A Portrait of Domestic Life in Victorian England (2004). Gleadle, Kathryn.
Landmark environmental portraiture and iconography of the Industrial Revolution and 19th century. [s 1] Two Ways of Life: 1857 Oscar Gustave Rejlander: Wolverhampton, England [22] Albumen print [s 1] La Vallée de l'Huisne (River Scene) 1857 Camille Silvy: Nogent-le-Rotrou, France Albumen print [s 1] Fading Away: 1858 Henry Peach Robinson