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Self-Portrait (Kramskoi) Self-Portrait (Chassériau) Self-Portrait at 69 years; Self-Portrait in a Hat; Self-Portrait of the Artist with her Father; Self-Portrait with Palette (Manet) Self-Portrait with the Yellow Christ; The Spanish Singer; Portraits at the Stock Exchange; Symphony in White, No. 1: The White Girl; Symphony in White, No. 2: The ...
Woman Reading is a 19th-century (portrait painting) by Susan Macdowell Eakins. It is in the collection of the Metropolitan Museum of Art. [1] Woman Reading probably depicts the artist's sister Elizabeth Macdowell Kenton. It is one of Eakins' many portraits of her family members in interior settings. [1]
Susanna Paine, also known as Susannah and Susan [1] (June 9, 1792 – November 10, 1862), was an American portrait artist in New England in the 19th century. She published poetry, a Christmas hymn, a novel, and an autobiography entitled Roses and Thorns, or Recollections of an Artist.
Gallery of Beauties The Nymphenburg Palace seen from its park. The Gallery of Beauties (German: Schönheitengalerie) is a collection of 38 portraits of the most beautiful women from the nobility and bourgeoisie of Munich, Germany, gathered by King Ludwig I of Bavaria in the south pavilion of his Nymphenburg Palace. [1]
Women artists of the early part of the 19th century include Marie-Denise Villers, who specialized in portraiture; Constance Mayer, who painted portraits and allegories; Marie Ellenrieder, who was noted mainly for her religious paintings in the Nazarene style; Louise-Adéone Drölling, who followed in the footsteps of her father and her older ...
She was one of the "New Women" of the 19th century successful, highly trained women artists who never married, like Ellen Day Hale, Mary Cassatt, Elizabeth Coffin and Cecilia Beaux. [8] Hale, Nourse, and Coffin "created compelling self-portraits in which they fearlessly presented themselves as individuals willing to flout social codes and ...
The titular subject of Auguste Toulmouche’s 1866 painting is inspiring TikTok art buffs to offer their own interpretations of her quiet fury.
Most paintings of the period that include black women show them as servants to a white woman; while Madeline sits alone, she is working as a model to the unseen Benoist. The simple white clothes have a neoclassical air, similar to other contemporary portraits such as Jacques-Louis David’s 1799 portrait of Henriette de Verninac. The bared ...