Search results
Results from the WOW.Com Content Network
3–2 clave (Play ⓘ) and 2–3 clave (Play ⓘ) written in cut-time. In Cuban popular music, a chord progression can begin on either side of the clave. When the progression begins on the three-side, the song or song section is said to be in 3–2 clave. When the chord progression begins on the two-side, it is in 2–3 claves.
2 or 2 4). The following examples show clave with the bongo bell and timbale bell parts in both a 3-2 and a 2-3 sequence. The timbale bell comes from a stick pattern (cáscara) used in the Afro-Cuban folkloric rhythm guaguancó. Timbale bell and bongo bell (bottom) in 3-2 clave. Timbale bell and bongo bell (bottom) in 2-3 clave.
Bauzá developed the 3-2/2-3 clave concept and terminology. A chord progression can begin on either side of clave. When the progression begins on the three-side, the song or song section is said to be in 3-2 clave. When the chord progression begins on the two-side, it is in 2-3 clave. [15]: 133–137
For salsa, there are four types of clave rhythms, the 3-2 and 2-3 Son claves being the most important, and the 3-2 and 2-3 Rumba claves. Most salsa music is played with one of the son claves, though a rumba clave is occasionally used, especially during rumba sections of some songs.
Bo Diddley beat takes its name from Bo Diddley and his eponymous song. The Bo Diddley beat is a syncopated musical rhythm that is widely used in rock and roll and pop music. [1] [2] [3] The beat is named after rhythm and blues musician Bo Diddley, who introduced and popularized the beat with his self-titled debut single, "Bo Diddley", in 1955.
Pattern 2 is used by the Yoruba and Igbo people of Nigeria. [32] Pattern 3 is the bell part in fufume . [33] Pattern 4 is used by the Ga people (Ghana) for the rhythm gahu. [34] Patterns 3 and 5 are used in the Ghanaian rhythm kpanlogo. [35] Patterns 2 and 3 are known in Cuba as rumba clave and son clave respectively.
The song's beats are said to resemble the popular four-beat of house music, but in fact follows the 3–2 or 2–3 of Afrobeats. This beat is known as the clave and mixes a rhythm with a normal 4/4 beat, it is commonly seen in many forms West African music.
Even the clave patterns are different; Pello's rhythm uses rumba clave, while the Palmieri version uses son clave. Pello's mozambiques are, for the most part, in major keys. Palmieri's mozambiques are mostly in minor keys. [20] However, both groups primarily use chord progressions in a 2-3 clave sequence, and a trombone horn section. The ...