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Pen and brown ink with brush and brown wash, with touches of opaque white watercolor, on cream laid paper: 14.3 x 16.8 cm: Museum of Fine Arts, Boston: The drawing is related to the etching B158 : Three Men Being Beheaded: c. 1640: Pen and brown ink, corrected with white; framing lines in pen and brown ink: 15.3 x 22.6 cm: British Museum, London
While most of the drawings depict Indian royalty or noblemen, a few represent the common people or women. [7] All drawings are made on 'Asian paper', which was then imported by the Dutch East India Company and highly prized. Rembrandt's use of expensive paper has been interpreted as him holding the subject matter in high regard. [6]
Indra was said to ride on a flying white elephant named Airavata, who was made the King of all elephants by Lord Indra. A white elephant is rare and given special significance. It is often considered sacred and symbolises royalty in Thailand and Burma, where it is also considered a symbol of good luck.
The Indian Arts and Crafts Act of 1990 defines "Native American" as being enrolled in either federally recognized tribes or state recognized tribes or "an individual certified as an Indian artisan by an Indian Tribe." [1] This does not include non-Native American artists using Native American themes. Additions to the list need to reference a ...
Tha (था تھا Thā, "He was"; Indian elephant) – the first of the elephants according to Hathi. Thuu (थू تھو Thū; Indian cobra), in The King's Ankus – a male blind albino cobra, also called White Hood. Mowgli gives him the derisory epithet "Thuu" (meaning "it has dried") upon discovering that the supposedly deadly cobra's fangs ...
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Project Elephant was launched in 1992 by the Government of India to protect elephant habitats and population. The Indian elephant is a cultural symbol throughout its range and appears in various religious traditions and mythologies. The elephants are treated positively and is revered as a form of Lord Ganesha in Hinduism. It has been designated ...
The painters do not use pencil or charcoal for the preliminary drawings. They are so expert in the line that they simply draw directly with the brush either in light red or yellow. Then the colours are filled in. The final lines are drawn and the patta is given a lacquer coating to protect it from weather, thus making the painting glossy.