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Rupert Gregson-Williams is a British composer, conductor, and record producer, best known for his film, video game, and television scores.His filmography includes Hotel Rwanda, for which he was awarded the European Film composer award, Hacksaw Ridge, Wonder Woman, Aquaman and its sequel, Over the Hedge, Bee Movie, Abominable, Back to the Outback, Made of Honor, The Holiday, The Legend of ...
It should only contain pages that are Rupert Gregson-Williams albums or lists of Rupert Gregson-Williams albums, as well as subcategories containing those things (themselves set categories). Topics about Rupert Gregson-Williams albums in general should be placed in relevant topic categories .
The plot follows 12-year-old Lizzie (Heather Ann Foster) who, after being involved in a road traffic accident and suffering a near-death experience, feels that she is haunted by a malicious spirit that she brought back with her from the afterlife.
Hacksaw Ridge (Original Motion Picture Soundtrack) is the score album to the 2016 biographical war film Hacksaw Ridge directed by Mel Gibson.The film is scored by Rupert Gregson-Williams, who replaced John Debney, the original composer who had attached to write music for the film.
Harry Gregson-Williams (born 1961) – Antz, The Tigger Movie, Chicken Run, Shrek, Sinbad: Legend of the Seven Seas, Flushed Away, The Martian, The Last Duel; Rupert Gregson-Williams (born 1966) – Over the Hedge, Bee Movie, Abominable, Grown Ups 1 and 2, Wonder Women, Aquaman and the Lost Kingdom; Merv Griffin (1925–2007) Mark Griskey (born ...
The music is composed and arranged by Rupert Gregson-Williams. It was released on June 2, 2017, by WaterTower Music. Rupert Gregson-Williams was hired to compose the film's music in November 2016. [1] [2] He is joined by Evan Jolly, Tom Howe, [3] Paul Mounsey, [4] and Andrew Kawczynski [5] who provide additional music.
Music critic Jonathan Broxton gave a mixed review for the soundtrack, saying "There’s nothing greatly wrong with The Legend of Tarzan in the bigger scheme of things; it’s functional, inoffensive, culturally respectful, and goes out of its way to mirror the current board-approved action music sound, which won’t upset any of the film’s key target demographics. "[6]
Pimlott and Barrett suspect death by misadventure, believing it is an open and shut case - but Davies isn't so sure. After investigating a noise complaint at a local pub and discovering that Teddy was involved in a punch up shortly before his death, Davies suspects murder, and the post mortem soon backs up his suspicions.