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The most illustrious member of the house of Guarneri, Bartolomeo was the son of Giuseppe Giovanni Battista, thus the grandson of Andrea Guarneri, [8] both noted violin makers themselves. Andrea learned his trade as an apprentice of Nicolò Amati, to whom Stradivari was also apprenticed. Undoubtedly, Giuseppe learned the craft of violinmaking in ...
A promising young violin maker named Antonio Stradivari was emerging, who in 1680 moved his workshop to the Piazza San Domenico, just a few metres away from the Casa Guarneri. [1] Because of this increasing local competition, by 1683, Pietro had moved to Mantua, leaving Giuseppe to work in their father's shop.
An E. H. Roth violin, Guarneri copy, Markneukirchen 1930 It was a policy of the Roth workshop in the days of Ernst Heinrich I to manufacture different grades of instruments for different budgets. For this reason, but also due to the size of the workshop's production and the many decades of its operation, the quality of Roth violins varies ...
A Guarneri violin is a center object in one of Andrea Camilleri's main Montalbano novels La Voce del violino ("The voice of the violin"). In the summer of 2010, the ex- Vieuxtemps Guarneri del Gesù, a violin built in 1741 by Bartolomeo Giuseppe Guarneri, was offered for sale at auction with a starting bid of $18 million, the highest price ever ...
Il Cannone Guarnerius of 1743 is a violin created by the Italian luthier Giuseppe Bartolomeo Guarneri of Cremona (1698–1744). [ 1 ] Il Cannone is also known by the variants Il Cannone del Gesù , and the Cannon , often appended with Guarneri del Gesù , the Guarneri trademark.
Henryk Szeryng (1918–1988) Messiah Strad copy which he gave to Prince Sovereign Rainier III of Monaco; Isaac Stern (1920–2001) A copy of the "Stern, ex Panette" Guarneri del Gesu of 1737 (c. 1850) also ex-Nicolas I of 1840; Arthur Grumiaux (1921–1986) 1866 (now known as ex-Grumiaux) now played by Jennifer Koh; Josef Hassid (1923–1950 ...
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The Vollers made fine reproductions of Guarneri del Gesu that rank amongst their finest work. These include copies of the "d'Egville" of 1735 and several versions of the "Leduc" of 1743 whose originals had been brought to Britain by the collector David Laurie before passing through the hands of George Hart and in 1894, the Hills.
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