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Il Cannone Guarnerius of 1743 is a violin created by the Italian luthier Giuseppe Bartolomeo Guarneri of Cremona (1698–1744). [1] Il Cannone is also known by the variants Il Cannone del Gesù, and the Cannon, often appended with Guarneri del Gesù, the Guarneri trademark.
The famed violin virtuoso Niccolò Paganini’s favorite instrument Il Cannone Guarnerius was a Guarneri del Gesù violin of 1743. The Lord Wilton Guarneri del Gesù violin made in 1742 was owned by Yehudi Menuhin. His last work is believed to be Ole Bull, a Guarneri del Gesù violin of 1744. [4]
Renardy had played the solo violin version of the 24 in his Carnegie Hall debut the previous October. In 1953, shortly before his untimely death, Renardy recorded the 24 again (on Paganini's Guarnieri del Gesù violin, 'Il Cannone'), in the same arrangement by David, with Eugene Helmer accompanying (2LPs, Remington R-99-146 & R-99-152). [7] [8]
Livron was so impressed with Paganini's playing that he refused to take it back. This particular violin came to be known as Il Cannone Guarnerius ("The Cannon of Guarnieri") because of its powerful voice and resonance. [16] Il Cannone Guarnerius on exhibit at the Palazzo Doria-Tursi in Genoa, Italy
Violin Il Cannone, once owned by Niccolò Paganini. It has also become known that some of the violins emanating from his shop and bearing his label were actually the work of his German wife, Catarina Guarneri, who apparently returned to Germany after her husband's death in 1744. While every other member of his family, the Stradivari family ...
1988 | CD | Radio Vaticana 061–003 / Biddulph LAW 016 | performed on Paganini's Guarneri del Gesù "Il Cannone" (Genova, 16–20 April 1988) 1998 | CD | Dynamic CDS244 | 80th Birthday Concert, live in Szeged Synagogue, Hungary | version for violin and orchestra by Laszlo Meszlény (Nos. 1–23) and Chris Nicholls (No. 24), based on the piano ...
He drew his inspiration from two violin makers and their instruments: Antonio Stradivari and his "Le Messie" (Messiah), and Giuseppe Guarneri del Gesù and his "Il Cannone" which belonged to Niccolò Paganini; others such as Maggini, Da Salò and Nicola Amati were also imitated, but to a lesser extent.
Faßmann plays on replica of the "Il Cannone Guarnerius" violin from the master workshop of the luthier Joachim Schade (Halle/Saale). Recordings (selection)
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