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They often featured a notched collar, and elbow-length sleeves with cuffs. More informal versions of the shirtdress, made of cotton, but retaining the full skirt and collar, became a staple part of many women's wardrobes during the 1950s, with designers such as Anne Fogarty becoming known for their versions of this style. [ 2 ]
The women's shoes of the early Victorian period were narrow and heelless, in black or white satin. By 1850s and 1860s, they were slightly broader with a low heel and made of leather or cloth. Ankle-length laced or buttoned boots were also popular. From the 1870s to the twentieth century, heels grew higher and toes more pointed.
A bell sleeve can be either long or short and is usually set smoothly into the armscye (no pleating or shirring) and flares toward the bottom. Bell sleeves end anywhere from the elbow to the wrist. Flared sleeves ending at the upper bicep are similarly shaped, but are instead called butterfly sleeves. The effect is reminiscent of a bell in its ...
It features elbow-length puff sleeves, a V-neck, and a beautiful eyelet pattern all over. What the Reviews Say: “The eyelet cotton fabric made it perfect for my event when the temperature was ...
Praskovia Tchaokovskaia wears a high-necked afternoon dress with puffed elbow-length sleeves and a fabric belt or sash, Russia, 1890–92. Bathing suit, 1890-1895, nautical fashion : navy color and sailor collar and sleeves; Day dresses of 1892 have low waists and high necklines. Sleeves have a high, gathered sleeve-head and are fitted to the ...
Sleeves were bell- or trumpet-shaped, and caught up at the elbow to show the frilled or lace-trimmed sleeves of the shift beneath. Sleeves became narrower as the period progressed, with a frill at the elbow, and elaborate separate ruffles called engageantes were tacked to the shift sleeves, in a fashion that would persist into the 1770s.
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