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Jorge Francisco Isidoro Luis Borges Acevedo (/ ˈ b ɔːr h ɛ s / BOR-hess; [2] Spanish: [ˈxoɾxe ˈlwis ˈboɾxes] ⓘ; 24 August 1899 – 14 June 1986) was an Argentine short-story writer, essayist, poet and translator regarded as a key figure in Spanish-language and international literature.
Jorge is the Spanish and Portuguese form of the given name George. While spelled alike, this name is pronounced very differently in each of the two languages: Spanish [ˈxoɾxe] ; Portuguese [ˈʒɔɾʒɨ] .
A poor, ignorant young boy in the outskirts of a small town, he is hopelessly limited in his possibilities, but (says Borges) his absurd projects reveal "a certain stammering greatness". Funes, we are told, is incapable of Platonic ideas, of generalities, of abstraction; his world is one of intolerably uncountable details.
"Borges and I" (originally in Spanish "Borges y Yo") is a short story by the Argentine writer and poet Jorge Luis Borges. It is one of the stories in the short story collection The Maker (originally in Spanish El Hacedor), first published in 1960. [1]
This was likely done because the anthology was sold as being written by women, for women—and consequently, a poem written by a man would not have appealed to female readers. One of the most spread Spanish versions wrongly attributed to Borges starts with the following verses:
For Cervantes and the readers of his day, Don Quixote was a one-volume book published in 1605, divided internally into four parts, not the first part of a two-part set. The mention in the 1605 book of further adventures yet to be told was totally conventional, did not indicate any authorial plans for a continuation, and was not taken seriously by the book's first readers.
There is no one better to tell the story of womenhood in Afghanistan than the women themselves
Byron was a prolific writer, for whom "the composition of his great poem, Don Juan, was coextensive with a major part of his poetical life"; he wrote the first canto while resident in Italy in 1818, and the 17th canto in early 1823. [3] Canto I was written between July and September 1818, and canto II was written from December 1818 to January 1819.