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The Jazz Chorus is one of the most famous and successful combo amplifiers from its period and its earliest users included Albert King, Andy Summers (), Chuck Hammer (), Larry Coryell, Robert Smith (of The Cure, although he used the rarer 160 Watt JC-160 with 4 x 10" speakers), Billy Duffy (The Cult, Theatre of Hate), Roger Hodgson of Supertramp, Joe Strummer, John Sebastian of The Lovin ...
The amplifiers he used with the Banshees were a Peavey Heritage, a Marshall MV50 combo and a Roland Jazz Chorus 120. [8] Carruthers stated that he used a similar amp set up to John McGeoch's. He used the "Roland Jazz Chorus with a splitter box, and put one signal to the Peavey for a lead sound, and the other to the Marshall which I have really ...
Roland Systems Group is a line of professional commercial audio and video products. Amdek was incorporated in 1981 "as a manufacturer of computerized music peripherals and as a distributor of assembled electronic music instrument parts."
The first proper Boss foot pedal effect, the CE-1 Chorus Ensemble, was released June 1976, which was a stand-alone unit of the chorus/vibrato circuit found in the Roland JC-120 amplifier. [5] It was a fairly large, AC-powered unit.
Note, however, that Middle C as the value 24 is relative to whatever settings one has set on the synthesizer to be sequenced. The second concept in programming the MC-4 are time values. The step time values determine the time interval between each musical note, or pitch. To set the time values, one must first set a time base, typically 120.
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The Roland VP-330 is a paraphonic ten-band [2] vocoder and string machine manufactured by Roland Corporation from 1979 to 1980. [1] While there are several string machines and vocoders, a single device combining the two is rare, despite the advantage of paraphonic vocoding, and the VP-330's synthetic choir sounds are unique.
Roland MC-8 MicroComposer. The Roland MC-8 MicroComposer by the Roland Corporation was introduced in early 1977 at a list price of US$4,795 (¥1,200,000 JPY).It was one of the earliest stand-alone microprocessor-driven CV/Gate music sequencers, [1] [2] following EMS Sequencer 256 in 1971 [3] and New England Digital's ABLE computer (microprocessor) in 1975. [4]
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