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The Klosterneuburg Altar, made in 1181 by Nicholas of Verdun, includes the scene with this meaning. [23] Another biblical theme linked to the winepress referenced by commentators was the allegory of the "Vineyard of God" or "True Vine", found in Isaiah 27:2–5, John 15:1 and Matthew 21:33–45, understood as a metaphor for the church. [24]
His attribute of "foreignness" as an arriving outsider-god may be inherent and essential to his cults, as he is a god of epiphany, sometimes called "the god who comes". [12] Wine was a religious focus in the cult of Dionysus and was his earthly incarnation. [13] Wine could ease suffering, bring joy, and inspire divine madness. [14]
When viewed in reflected light, as in this flash photograph, the cup's dichroic glass is green in colour, whereas when viewed in transmitted light, the glass appears red. The Lycurgus Cup is a Roman glass 4th-century cage cup made of a dichroic glass , which shows a different colour depending on whether or not light is passing through it: red ...
Two episodes from the Passion-cycle murals of Öja Church, Gotland. The iconic significance of the Chalice grew during the Early Middle Ages. Depictions of Jesus praying in the Garden of Gethsemane, such as that in the fourteenth-century frescoes of the church at Öja, Gotland (illustration, right), show a prefigured apparition of the Holy Chalice that stands at the top of the mountain ...
Christ's side pierced by a lance, drawing blood. Blood of Christ, also known as the Most Precious Blood, in Christian theology refers to the physical blood actually shed by Jesus Christ primarily on the Cross, and the salvation which Christianity teaches was accomplished thereby, or the sacramental blood (wine) present in the Eucharist or Lord's Supper, which some Christian denominations ...
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Bacchus, also known as Dionysus was the Greek god of wine, inebriation, fertility and theater. [2] He is known to be joyous and kind to those who admire him, yet cruel and mischievous to those who cross him. [3] Scenes from Greek mythology were often found in the private spaces of aristocrats. Classical images were used to depict the patron’s ...
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