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The original design, created by Rein Narma as he was building Les Paul's first 8-channel mixing console, was licensed by Sherman Fairchild who hired Rein Narma as the company's chief engineer. [2] The company's products also included amplifiers, preamplifiers, a control track generator to synchronize tape recorders, [3] and recording lathes. [4]
A mixing console or mixing desk is an electronic device for mixing audio signals, used in sound recording and reproduction and sound reinforcement systems. Inputs to the console include microphones , signals from electric or electronic instruments, or recorded sounds.
A mixer (mixing console, mixing desk, mixing board, or software mixer) is the operational heart of the mixing process. [10] Mixers offer a multitude of inputs, each fed by a track from a multitrack recorder. Mixers typically have 2 main outputs (in the case of two-channel stereo mixing) or 8 (in the case of surround).
The unit can be linked for stereo and multi-channel operation. The compressor processes the audio signal before the output amplifier, meaning the output level can be raised after compression of the signal. [9] The controls include compression attack and recovery times. There is also a bypass control to switch the effect in or out of the circuit.
Gregory Clark Mackie was born on September 22, 1949, in Mukilteo, Washington to parents Clair and Nathalia Mackie. His father Clair served as a ham radio operator in World War II and remained active in ham radio clubs the rest of his life, [1] exposing his son Greg to scores of electronic catalogs and parts at an early age.
The upper two tracks contain one mono recording each, and the player has a switch that lets the listener change between the two available tracks. A small knob on the front controls the volume, and a headphone jack is on the side as well as a slider to eject the tape. [2] Winding the tape into a Compact Cassette, the recording is playing backwards.
Studer's first multi-track machine, the model J37, was released in 1964. It recorded 4 tracks on one inch tape. A pair of J37s were used by The Beatles to record Sgt. Pepper's Lonely Hearts Club Band in 1967. [2] Later analog Studer machines were built in 8, 16, and 24-track configurations using tape widths of up to two inches.
A refinement of the normalization of jacks is the presence on the mixer of an insert control which, when adjusted, allows the user to patch into or around the inserted devices at will without having to physically disconnect the insert cables. Most modern entry-level and medium-format mixers use a single TRS phone jack for both send and return.
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