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They had sold copies worth about $3 million. A big would-be-Rodin bronze called "The Kiss" was sold for Fr4.5 million (about US$800,000). Charges were later dropped. Other auction houses such as Christie's and Sotheby's had also sold copies by Hain to their customers.
Musée Rodin, Paris 59 x 29 x 29 More images: Man with the Broken Nose [6] [7] 1863 Bronze Museo Soumaya, Mexico City 31.2 x 19 x 16.3 More images: Jeune femme et enfant [8] 1864 Bronze Musée Rodin, Paris 57.5 x 34 x 36 Jean-Baptiste Rodin, Père de l'artiste [9] [10] 1865 Bronze Musée Rodin, Paris 41 x 22.8 x 24 More images: Jeune femme ...
This list is incomplete ; you can help by adding missing items. (February 2011) The Thinker in front of the Rodin Museum in Philadelphia This is a list of The Thinker sculptures made by Auguste Rodin. The Thinker, originally a part of Rodin's The Gates of Hell, exists in several versions. The original size and the later monumental size versions were both created by Rodin, and the most valuable ...
The Musée Rodin (English: Rodin Museum) of Paris, France, is an art museum that was opened in 1919, primarily dedicated to the works of the French sculptor Auguste Rodin. It has two sites: the Hôtel Biron and surrounding grounds in central Paris, as well as just outside Paris at Rodin's old home, the Villa des Brillants at Meudon , Hauts-de ...
Owner: Smithsonian Institution: Crouching Woman is a bronze sculpture by Auguste Rodin. [1] Versions. Originally modeled in 1880–1882, ...
Suzon is an early bust of a woman by Auguste Rodin, created between 1872 and 1873 [1] when he wholly worked on commissions. [2] It was inspired by late 18th century Romantic works whilst Rodin was in exile in Brussels due to the Franco-Prussian War. [3]
Glaucus is a sculpture by the French artist Auguste Rodin, first conceived in 1886 as a representation of the mythological figure Glaucus, son of Poseidon. Originally made in plaster, bronze casts of it are now in the Brooklyn Museum and the Museo Soumaya .
Rodin's model was one of his favorites, Anna Abruzzesi, one of a pair of sisters he often used. [ 2 ] [ 3 ] Art critic Georges Grappe dated the sculpture to 1889 and stated without providing a source that it was a study for The Gates of Hell .
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