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The phrase Contenance Angloise was coined by Martin le Franc in 1441–42, in a poem dedicated to Duke Philip the Good of Burgundy (1396–1467) to describe the era's distinctive musical style. Le Franc mentioned English composer John Dunstaple (c. 1390–1453) as the key figure and a major influence on the Burgundian composers Guillaume Dufay ...
Stylometry grew out of earlier techniques of analyzing texts for evidence of authenticity, author identity, and other questions. The modern practice of the discipline received publicity from the study of authorship problems in English Renaissance drama. Researchers and readers observed that some playwrights of the era had distinctive patterns of language preferences, and attempted to use those ...
In particular, "The 'making of music' was ... mythologized as a creative act." The 19th century regarded Mozart's compositional process as a form "of impulsive and improvisatorial composition ... an almost vegetative act of creation." [24] Konrad states that the 19th century also mythologized Mozart's abilities in the area of musical memory.
This principle applies to music terminology: use musical terms from the variety of English in which the article is written. Consider showing alternative terms from other English varieties in parentheses on their first appearance. Example: "The first crotchet (quarter note) in the bar is loudest." See Manual of Style: National varieties of English.
Musical phrasing is the method by which a musician shapes a sequence of notes in a passage of music to allow expression, much like when speaking English a phrase may be written identically but may be spoken differently, and is named for the interpretation of small units of time known as phrases (half of a period).
' English manner '), Dunstaple was the leading English composer of his time, and is often coupled with William Byrd and Henry Purcell as England's most important early music composers. [2] His style would have an immense influence on the subsequent music of continental Europe, inspiring composers such as Du Fay, Binchois, Ockeghem and Busnois. [2]
Glee – English part song of respectable and artistic character and often composed for male voices only. Partita – Suite of instrumental or vocal pieces, often consisting of dance movements. Passacaglia – Musical form similar to a chaconne, consisting of variations over a ground bass. Passion – Musical setting of the Passion of Christ.
Realization is the art of creating music, typically an accompaniment, from a figured bass, whether by improvisation in real time, or as a detained exercise in writing. It is most commonly associated with Baroque music .