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Max Bruch's Violin Concerto No. 1 in G minor, Op. 26, is one of the most popular violin concertos in solo violin repertoire [1] and, ...
James Brooks must have been born around 1760 as he was declared to be 23 years old when he was recommended for admission to the Royal Society of Musicians in March 1783. His father, John Brooks, was a violinist in Thomas Linley's band, [1] in the band of the theatre and a music teacher in Bath, [2] where he died before 1787. [2]
Bruch's other works include his two less well-known concerti for violin and orchestra, No. 2 in D minor (1878) and No. 3 in D minor (1891) (which Bruch regarded as at least as fine as the famous first); as well as a Concerto for Clarinet, Viola, and Orchestra, and many more pieces for violin, viola, or cello, and orchestra. His three symphonies ...
Violin Concerto No. 1 may refer to any composer's first violin concerto, or to a composer's only violin concerto: Violin Concerto in A minor (Bach)
The retrospective assignment of "No. 1" to this concerto (and the consequent redesignation of the Violin Concerto Bartók composed in 1936–1939 as "No. 2") has met with some resistance, especially from Hungarian scholars and musicologists, on grounds that the composer had "annulled" this concerto, not only by excluding it from his list of ...
Yuja Wang; Simon Rattle (conductor) – Bartók: Piano Concerto No. 2; Christina Day Martinson; Martin Pearlman (conductor) – Biber: The Mystery Sonatas; Joshua Bell – Bruch: Scottish Fantasy Op. 46; Violin Concerto No. 1 in G Minor Op. 26; Craig Morris – Glass: Three Pieces in the Shape of a Square
The Violin Concerto No. 1 in A minor, Op. 77 (99), was originally composed by Dmitri Shostakovich in 1947–48. He was still working on the piece at the time of the Zhdanov Doctrine , and it could not be performed in the period following the composer's denunciation.
The Brandenburg Concerto No. 1, BWV 1046.2 (BWV 1046), [23] is the only one in the collection with four movements. The concerto also exists in an alternative version, Sinfonia BWV 1046.1 (formerly BWV 1046a), [24] which appears to have been composed during Bach's years at Weimar.
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