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One of the best known metrical versions of Psalm 23 is the Christian hymn, "The Lord's My Shepherd", a translation first published in the 1650 Scottish Psalter. [21] Although widely attributed to the English Parliamentarian Francis Rous , the text was the result of significant editing by a translating committee in the 1640s before publication ...
He used the lyrics of the hymn unchanged, which reflect the psalm and Jesus as the Good Shepherd. Bach structured the work in five movements. The outer choral movements are a chorale fantasia and a four-part closing chorale, both on the hymn tune. Bach set the inner stanzas as aria – recitative – aria, with music unrelated to the hymn tune.
"The Lord's My Shepherd" is a Christian hymn. It is a metrical psalm commonly attributed to the English Puritan Francis Rous and based on the text of Psalm 23 in the Bible. The hymn first appeared in the Scots Metrical Psalter in 1650 traced to a parish in Aberdeenshire.
The Lord Is My Shepherd is a sacred choral composition by John Rutter, a setting of Psalm 23. The work was published by Oxford University Press in 1978. [1] Marked "Slow but flowing", the music is in C major and 2/4 time. [2] Rutter composed it for Mel Olson and the Chancel Choir of the First United Methodist Church in Omaha, Nebraska. [2]
" Der Herr ist mein getreuer Hirt" (The Lord is my faithful Shepherd) is a Lutheran hymn in German, a paraphrase of Psalm 23. The text was written by Cornelius Becker, first published in 1598 and again in the Becker Psalter in 1602. Heinrich Schütz set the text to music, using a 1529 tune.
The figure of Jesus Christ as the son of God and his teachings of tolerance and forgiveness had caused God to evolve from an icon of aggressive punishment to a far more fatherly figure. In Sidney's Psalm 3, David addresses God as his father: "Help me, my God and Father!" whereas God is never addressed this way in the KJV.
The mother of Austin Tice, who was taken captive in Syria in 2012, voiced hope that upheaval in the country will lead to freedom for her son.
All the psalms were present in common meter (CM), which meant that in principle any psalm could be sung to any psalm tune, though not every possible combination would have been regarded as good taste. Musical editions of the psalter were published with the pages sliced horizontally, the tunes in the top half and the texts in the bottom ...