Search results
Results from the WOW.Com Content Network
The Four Temperaments or Theme and Four Variations (The Four Temperaments) [1] [2] is an orchestral work and ballet by Paul Hindemith. Although it was originally conceived as a ballet for Léonide Massine , [ 1 ] the score was ultimately completed as a commission for George Balanchine , who subsequently choreographed it as a neoclassical ballet ...
Scott Bradlee (born September 19, 1981) [1] is an American musician, pianist, and arranger. He is best known for his viral videos on YouTube, including his work under the moniker Postmodern Jukebox (PMJ) — an ever-evolving, revolving collective of performers playing popular music in period styles.
From the earliest ballets up to the time of Jean-Baptiste Lully (1632–1687), ballet music was indistinguishable from ballroom dance music. Lully created a style that was separate, wherein the music told a story. The first ballet d'action was staged in 1717. The Loves of Mars and Venus was a story told without words.
Danse des petits cygnes is a dance from Tchaikovsky's Swan Lake, from the ballet's second act, the fourth movement of No. 13. Translated from French, it means "Dance of the Little Swans", also known as "Dance of the Cygnets". It is challenging because the dancers must coordinate their leg movements while holding hands.
The ballet is performed to a combination of original music by Joby Talbot and arrangements of music by Jack White of the White Stripes, with orchestrations by Christopher Austin. The ballet was a great success, winning a number of awards, including the Laurence Olivier Award for Best New Dance Production , and led to The Royal Ballet appointing ...
Raymonda Variations, formerly titled Valses et Variations, is a ballet choreographed by George Balanchine to excepts from Alexander Glazunov's score for the 1898 ballet Raymonda. Instead of following the plot of the 1898 ballet, the Balanchine ballet is plotless. It premiered on December 7, 1961, at the City Center of Music and Drama.
Balanchine’s legacy in shaping ballet technique and dancer aesthetics is profound and lasting. His influence not only transformed American ballet but left an indelible mark on the global ballet culture. Today, the “Balanchine body” and the principles of his technique continue to be both celebrated and criticized.
The title part (H. Levenskiold's La Sylphide, choreography by A. Bournonville, J. Kobborg's version) Amour (creation), Mireille de Poitiers (B. Asfiev's The Flames of Paris, production and new choreography by A. Ratmansky after V. Vainonen) Kitri (Don Quixote) Variation (Grand Pas classique for the ballet Paquita by L. Minkus, choreography by M ...