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Cripple Creek is a 1952 American western film directed by Ray Nazarro and starring George Montgomery, Jerome Courtland and Karin Booth. [1] It was produced by Edward Small for release by Columbia Pictures .
This is a two-minute silent film drama shot in Blackburn, Lancashire, England by Mitchell and Kenyon. It is the earliest known dramatic work in the genre. [5] Cripple Creek Bar-room Scene; Poker at Dawson City; These two films were produced by Edison's Black Maria and have been argued to be the first Western films. [6] A Bluff from a Tenderfoot
Barbed Wire (1952 film) The Battle at Apache Pass; Battles of Chief Pontiac; Bend of the River; The Big Sky (film) Black Hills Ambush; The Black Lash; Blue Canadian Rockies; Border Saddlemates; Brave Warrior; Bronco Buster (film) Buffalo Bill in Tomahawk Territory; Bugles in the Afternoon; The Bushwackers (film)
In "The Dark Rider," the first episode of season 2, Diane Brewster appears as Samantha Crawford, a character later featured in four episodes of Maverick starring James Garner and Jack Kelly between 1957 and 1959, another Warner Bros. Western series. "Samantha Crawford" was the maiden name of writer/producer Roy Huggins' mother.
The film is set at a gold mining camp in Cripple Creek, Colorado where it was filmed. [1] It begins as a man knocks on the door of a miner's cabin on Bennett Avenue. A kind and generous woman answers and offers the man food. He demands money and kills the woman after she refuses.
Marshal of Cripple Creek is a 1947 American Western film in the Red Ryder film series directed by R. G. Springsteen and written by Earle Snell. The film stars Allan Lane, Robert Blake, Martha Wentworth, Trevor Bardette, Tom London and Roy Barcroft. The film was released on August 15, 1947, by Republic Pictures. [1] [2] [3]
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A common motif to this album is the presence of saints and demons. Even the straightforward narratives such as the love ballad "Broken Heart" or "Cripple Creek" — which feature vocal treatments reminiscent of folkie Fred Neil — are bathed in unusual chord sequences and lyrical double-entendre. The majority of the sounds on this long-player ...