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"Dueling Banjos" is a bluegrass composition by Arthur "Guitar Boogie" Smith. The song was composed in 1954 [ 2 ] by Smith as a banjo instrumental he called "Feudin' Banjos"; it contained riffs from Smith, recorded in 1955 playing a four-string plectrum banjo and accompanied by five-string bluegrass banjo player Don Reno .
Dueling Banjos is a 1973 soundtrack album to the film Deliverance by American banjoists Marshall Brickman, Steve Mandell, and Eric Weissberg released by Warner Bros. Records and made up of the title track by Mandell and Weissberg and a repackaged version of the 1963 album New Dimensions in Banjo and Bluegrass by Brickman and Weissberg.
Eric Weissberg (August 16, 1939 – March 22, 2020) was an American singer, banjo player, and multi-instrumentalist, whose most commercially successful recording was his banjo solo in "Dueling Banjos", featured as the theme of the film Deliverance (1972) and released as a single that reached number 2 in the United States and Canada in 1973.
Sheet music consisting of tablature is sometimes referred to as "tabs." The same style of tablature is also used for other fretted instruments such as the banjo, mandolin, and ukulele. The following examples are labelled with letters on the left denoting the string names, with a lowercase e for the high E string. Tab lines may be numbered 1 ...
Sheet music enables instrumental performers who are able to read music notation (a pianist, orchestral instrument players, a jazz band, etc.) or singers to perform a song or piece. Music students use sheet music to learn about different styles and genres of music. The intended purpose of an edition of sheet music affects its design and layout.
The Banjo, 1855 sheet music cover published by William Hall & Son.. The Banjo, Op. 15, is a composition for piano by the American composer Louis Moreau Gottschalk.Composed in 1853, it is one of Gottschalk's best-known works.
Banjo music originated informally as a form of African folk music over a hundred years ago probably in the sub-Saharan region. When the Americans forced African slaves to work on the plantations, banjo music followed them, and stayed primarily a form of African folk music, up to the 1800s.
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