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A synthesizer (also synthesiser [1] or synth) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis , additive synthesis and frequency modulation synthesis .
Oskar Sala developed the Trautonium further and worked with at least one pupil, music therapy pioneer Maria Schüppel. [9] However, Peter Pichler, a Munich musician and artist, had heard the sound of the Trautonium when he was a young man and was fascinated by its emotional impact and dynamic range. Pichler found he could not forget the unique ...
Audio therapy is the clinical use of recorded sound, music, or spoken words, or a combination thereof, recorded on a physical medium such as a compact disc (CD), or a digital file, including those formatted as MP3, which patients or participants play on a suitable device, and to which they listen with intent to experience a subsequent beneficial physiological, psychological, or social effect.
Music has been able to help people in a myriad of ways, which is what makes it an effective medium in therapeutic sessions. Music therapy is a therapeutic method that allows music to reach people ...
It was marketed as a "digital wave synthesizer" but was an early Music Workstation. Although its voice generation is typically subtractive in much the same fashion as most analog synthesizers that preceded it, its oscillators are neither voltage nor "digitally controlled", but true digital oscillators, provided by a custom Ensoniq wavetable chip.
Music therapy may be suggested for adolescent populations to help manage disorders usually diagnosed in adolescence, such as mood/anxiety disorders and eating disorders, or inappropriate behaviors, including suicide attempts, withdrawal from family, social isolation from peers, aggression, running away, and substance abuse.
Computer and synthesizer technology joining together changed the way music is made and is one of the fastest-changing aspects of music technology today. Max Mathews , an acoustic researcher [ 9 ] at Bell Telephone Laboratories ' Acoustic and Behavioural Research Department, is responsible for some of the first digital music technology in the 1950s.
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