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The psychology of art is the scientific study of cognitive and emotional processes precipitated by the sensory perception of aesthetic artefacts, such as viewing a painting or touching a sculpture. It is an emerging multidisciplinary field of inquiry, closely related to the psychology of aesthetics, including neuroaesthetics .
The concept of symbolic culture draws from semiotics, and emphasises the way in which distinctively human culture is mediated through signs and concepts. In sociology, Emile Durkheim, Claude Lévi-Strauss, Clifford Geertz and many others have emphasised the symbolic aspect of distinctively human culture.
The purpose of symbolic and interpretive anthropology can be described through a term used often by Geertz that originated from Gilbert Ryle, "Thick Description."By this what is conveyed, is that since culture and behavior can only be studied as a unit, studying culture and its smaller sections of the structure, thick description is what details the interpretation of those belonging to a ...
The concept of perceptualism has been discussed in historical and philosophical explorations of art and psychology, thus it forms an innate relationship between the artist and philosopher. Norman Bryson discussed perceptualism in terms of optical truth, as opposed to constructivist interpretations that take into account the social values of any ...
One of the central problems in the anthropology of art concerns the universality of 'art' as a cultural phenomenon. Several anthropologists have noted that the Western categories of 'painting', 'sculpture', or 'literature', conceived as independent artistic activities, do not exist, or exist in a significantly different form, in most non-Western contexts. [9]
Cultural psychology is often confused with cross-cultural psychology.Even though both fields influence each other, cultural psychology is distinct from cross-cultural psychology in that cross-cultural psychologists generally use culture as a means of testing the universality of psychological processes rather than determining how local cultural practices shape psychological processes. [12]
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Rudolf Arnheim (July 15, 1904 – June 9, 2007) was a German-born writer, art and film theorist, and perceptual psychologist. He learned Gestalt psychology from studying under Max Wertheimer and Wolfgang Köhler at the University of Berlin and applied it to art.