Search results
Results from the WOW.Com Content Network
Yatsuhashi, who was born and died in Japan, was originally a player of the shamisen, but later learned the koto from a musician of the Japanese court. While the instrument was originally restricted to the court, Yatsuhashi is credited as the first musician to introduce and teach the koto to general audiences.
Hirajōshi scale, or hira-choshi (Japanese: 平調子, Hepburn: hirachōshi, chōshi = tuning and hira = even, level, tranquil, standard or regular) is a tuning scale adapted from shamisen music by Yatsuhashi Kengyō for tuning of the koto. [1] "The hirajoshi, kumoijoshi, and kokinjoshi 'scales' are Western derivations of the koto tunings of ...
The heike shamisen compared with a medium-sized, or chuzao shamisen. The construction of the shamisen varies in shape and size, depending on the genre in which it is used. The bachi used will also be different according to genre, if it is used at all. Shamisen are classified according to size and genre.
It is traditionally played on shamisen, koto, ... [1] See also. Music of Japan; References This page was last edited on 29 December 2024, at 10:23 ...
It is often tuned the same as a shamisen but an octave higher. In central Japan, the kokyū was formerly used as an integral part of the sankyoku ensemble, along with the koto and shamisen , but beginning in the 20th century the shakuhachi began to play the role previously filled by the kokyū .
Insen (or In Sen; kanji: 陰旋; hiragana: いんせん) is a tuning scale adapted from shamisen music by Yatsuhashi Kengyō for tuning of the koto. It only differs from the hirajoshi scale by one note. In D mode it consists of: D-E ♭-G-A-C [1] so it has the same notes as the Phrygian chord (7sus♭9).
In addition to performing songs that are only on the shamisen, they also use instruments such as drums and synthesizers. The commercials for Nintendo 's Wii video game console that began airing in North America in November 2006 featured the Yoshida Brothers song "Kodo (Inside the Sun Remix)".
However, the koto had taken a larger role in compositions in place of the shamisen, and pieces in the jiuta style accompanied by shamisen were far fewer in number. One notable composer was Michio Miyagi. Up to today, composers habe tried to introduce various forms (such as Western sonatas) to the jiuta style.