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Black-and-white televisions do not decode this extra colour information in the subcarrier, using only the luminance to provide a monochrome picture. However, because of limited bandwidth in the video channel, the chrominance and luminance signals bleed into each other considerably, causing the colour information to appear as chroma crawl or ...
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A short-lived alternative to the HiFi feature for recording mixdowns of hobbyist audio-only projects was a PCM adaptor so that high-bandwidth digital video could use a grid of black-and-white dots on an analog video carrier to give pro-grade digital sounds though DAT tapes made this obsolete.
At the time, black-and-white television broadcasting was still in its infancy in the U.S., and the FCC started to look at ways of using this newly available bandwidth for color broadcasts. Since no existing television would be able to tune in these stations, they were free to pick an incompatible system and allow the older VHF channels to die ...
Title Year produced Year colorized Distributor and color conversion company Above and Beyond: 1952: 1992: Turner Entertainment [1] [2]: The Absent-Minded Professor
The actual video signal, which is amplitude-modulated, is transmitted between 500 kHz and 5.45 MHz above the lower bound of the channel. The video carrier is 1.25 MHz above the lower bound of the channel. Like most AM signals, the video carrier generates two sidebands, one above the carrier and one below. The sidebands are each 4.2 MHz wide.
Composite video is an baseband analog video format that typically carries a 405, 525 or 625 line interlaced black and white or color signal, on a single channel, unlike the higher-quality S-Video (two channels) and the even higher-quality YPbPr (three channels).
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