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The Micro Four Thirds system (MFT) of still and video cameras and lenses was released by Olympus and Panasonic in 2008; lenses built for MFT use a flange focal distance of 19.25 mm, covering an image sensor with dimensions 17.3 × 13.0 mm (21.6 mm diagonal).
For years, photographers and industry pundits have predicted the demise of the Micro Four Thirds (MFT) camera system. Many believe that the smaller sensor has been superseded by APS-C cameras and ...
The MFT design standard also specifies multiple aspect ratios: 4:3, 3:2, 16:9 (the native HD video format specification), and 1:1 (a square format). With the exception of a few MFT cameras, [6] [7] [8] most MFT cameras record in a native 4:3 format image aspect ratio, and through cropping of the 4:3 image, can record in 16:9, 3:2 and 1:1 formats.
The Blackmagic Pocket Cinema Cameras come with Canon EF, MFT, or L-Mount lens mounts, depending on the model. Most of the lineup supports recording in both Apple ProRes and Blackmagic Raw (Blackmagic Design's proprietary compressed raw codec), often simultaneously - though the original Pocket Cinema Camera was only capable of ProRes recording ...
Others are rebranded as Leica cameras with different cosmetic stylings. Despite shifting focus to full frame cameras, Panasonic continues to release and support micro four thirds (MFT) cameras. [3] As of 2023, the Lumix G9II is the flagship MFT camera of the range. [4]
The G5 is the successor to the Panasonic Lumix DMC-G3 and is Panasonic's most junior MFT camera. The G5 differs from the G3 principally by offering a higher maximum ISO (12,800 vs 6,400), a continuous shooting frame rate (6 vs 4 fps), a higher resolution screen, and a new image sensor and processor.
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