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His seminal essay, "Specific Objects" (published in Arts Yearbook 8, 1965), was a touchstone of theory for the formation of minimalist aesthetics. In this essay, Judd found a starting point for a new territory for American art, and a simultaneous rejection of residual inherited European artistic values.
In visual arts, music and other media, minimalism is an art movement that began in the post-war era in Western art. The movement is often interpreted as a reaction to abstract expressionism and modernism; it anticipated contemporary post-minimal art practices, which extend or reflect on minimalism's original objectives. [1]
Minimalism was an art movement that began during the 1960s. This list of minimalist artists are primarily artists whose works were done in the 1960s, and are considered minimal, although some artists subsequently radically changed their work in the 1970s and in subsequent decades. This list is incomplete.
Postminimalist visual art uses minimalism either as a conceptual art aesthetic or a generative art practice. Like Fluxus, Postminimalism is more of an artistic tendency than a particular style, but in general, postminimalist artworks often use everyday objects, simple materials, and sometimes take on a pure formalist aesthetics or post-conceptual approaches.
Corporate Memphis is an art style named after the Memphis Group that features flat areas of color and geometric elements. Widely associated with Big Tech illustrations in the late 2010s [ 1 ] and early 2020s, [ 2 ] it has been met with a polarized response, with criticism focusing on its use in sanitizing corporate communication, [ 1 ] as well ...
Robert Morris (February 9, 1931 – November 28, 2018) was an American sculptor, conceptual artist and writer. He was regarded as having been one of the most prominent theorists of Minimalism [1] along with Donald Judd, but also made important contributions to the development of performance art, land art, the Process Art movement, and installation art. [2]
"Art can inspire you to live a bigger life, and to stay focused," says Becker. "Minimalism isn’t about removing beauty—it's about removing distraction. "Minimalism isn’t about removing ...
Donald Clarence Judd (June 3, 1928 – February 12, 1994) was an American artist associated with minimalism. [1] [2] In his work, Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy.
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