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[5] The third type which Zangwill identifies as representing the transition of the philosophy of aesthetics into the 21st century is that of moderate formalism, where its principal exponents defend the principle "that all the aesthetic properties of works of art in a select class are formal, and second, that although many works of art outside ...
Aesthetics or Aesthetic may refer to: Aesthetics, the branch of philosophy concerned with the nature of beauty and the nature of taste; Aesthetics (textile), one of the basic concepts of serviceability of textiles; Internet aesthetic, a visual art style originating from the Internet; Aestheticians, cosmetologists who specialize in skin care
Synonym list in cuneiform on a clay tablet, Neo-Assyrian period [1] A synonym is a word, morpheme, or phrase that means precisely or nearly the same as another word, morpheme, or phrase in a given language. [2] For example, in the English language, the words begin, start, commence, and initiate are all synonyms of one another: they are ...
Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; [2] thus, the function of aesthetics is the "critical reflection on art, culture and nature". [3] [4] Aesthetics studies natural and artificial sources of experiences and how people form a judgment about those sources of experience.
Phonaesthetics (also spelled phonesthetics in North America) is the study of the beauty and pleasantness associated with the sounds of certain words or parts of words.The term was first used in this sense, perhaps by J. R. R. Tolkien, [1] during the mid-20th century and derives from Ancient Greek φωνή (phōnḗ) 'voice, sound' and αἰσθητική (aisthētikḗ) 'aesthetics'.
An aesthetic ideal that good art should appear natural rather than contrived. Of medieval origin, but often incorrectly attributed to Ovid. [14] ars gratia artis: art for the sake of art: Translated into Latin from Baudelaire's L'art pour l'art. Motto of Metro-Goldwyn-Mayer. While symmetrical for the logo of MGM, the better word order in Latin ...
Heinrich Wölfflin (German: [ˈhaɪnʁɪç ˈvœlflɪn]; 21 June 1864 – 19 July 1945) was a Swiss art historian, esthetician and educator, whose objective classifying principles ("painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early 20th century. [1]