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Print/export Download as PDF; Printable version; In other projects ... Gamelan instruments. This is a list of gamelan varieties. Javanese gamelan varieties
"Gamelan instruments" is technically redundant since, "The name 'gamelan' actually refers only to the instruments themselves...Javanese have a separate word for the art of playing gamelan instruments..." Lindsay, Jennifer (1992). Javanese Gamelan, p.10. ISBN 0-19-588582-1.
A gamelan is a musical ensemble from Indonesia, typically from the islands of Bali or Java. Subcategories This category has the following 7 subcategories, out of 7 total.
Gamelan is used to accompany various traditional ceremonies in Indonesia, gamelan kodhok ngorek, gamelan monggang, gamelan carabalen, and gamelan ageng are used for important ceremonies related to kings in the Yogyakarta and Surakarta palaces such as the king's coronations ceremony, the king's birthday ceremony, the coronation anniversary ...
In some types of gamelan, two gendèrs are used, both spanning approximately two and a half octaves, the gendèr barung and the gendèr panerus, pitched an octave higher than the other. [1] In Gamelan Surakarta, the gendèr panerus plays a single line of melodic pattern, following a pattern similar to the siter. The gendèr barung plays a ...
The Kenong is a musical instrument of Indonesia used in the gamelan. [1] [2] It is a kind of gong and is placed on its side. It has the same length and width. Thus, it is similar to the bonang, kempyang, and ketuk, which are also cradled gongs. Kenongs are generally much larger than the aforementioned instruments.
A kempul is a type of hanging gong used in Indonesian gamelan.The kempul is a set of pitched, [1] hanging, knobbed gongs, often made of bronze, wood, and cords. [2] Ranging from 19 to 25.4 cm (7.5 to 10.0 in) in diameter, the kempul gong has a flat surface with a protruding knob at the center and is played by hitting the knob with the "soft end of a mallet."
The babendil. The babendil traditionally could be played by either genders. [5] In wooden kulintang ensembles, the kagul is usually substituted for the babendil part. [2] Among the Tausug, the Samal and the Yakan, their babendil-type instrument generally has gone into disuse (Instead, tempo is kept in check using the highest gong on the kulintangan .
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