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The song's music video follows this plot. "Hazard" was released as the second single from Marx's third studio album, Rush Street (1991), on January 28, 1992, in the United States. In April 1992, "Hazard" peaked at No. 9 on the US Billboard Hot 100 and shortly thereafter topped the Billboard Adult Contemporary chart, becoming Marx's third number ...
By the late 1980s, the "Napalm" cadence had been taught at training to all branches of the United States Armed Forces.Its verses delight in the application of superior US technology that rarely if ever actually hits the enemy: "the [singer] fiendishly narrates in first person one brutal scene after another: barbecued babies, burned orphans, and decapitated peasants in an almost cartoonlike ...
Richard Marx is the debut studio album by singer/songwriter and record producer/arranger, Richard Marx, released in June 1987.. Four singles reached the top three of the Billboard Hot 100, including Marx's first number one pop single "Hold On to the Nights" in mid-1988.
The music video for "Sic Transit Gloria... Glory Fades" portrays Lacey as a human voodoo doll, who has the ability to move the body parts of other people through moving his own. "Since the song is about taking advantage of someone else," he said, "there's a pretty strong correlation between the video and the song."
In German, the song was titled "Küss' mich, Schnucki-Putzi". In 1956 Bruno and his Quirinetta orchestra recorded in Italian the song entitled Il vero charleston "Lola" (The Real Charleston "Lola"), with lyrics by Borella, (CGD, ND 9006). The song was also sung by Jason Robards and Barry Gordon in the 1965 feature film A Thousand Clowns. [9]
"Put Your Records On" is a song by the English singer Corinne Bailey Rae from her self-titled debut studio album (2006). Written by Bailey Rae, John Beck , and Steve Chrisanthou , it was released as the album's second single in February and early March 2006 throughout Europe and as the lead single in North America.
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The song was popularised by Roberta Flack in a version that became a breakout hit for the singer in 1971/1972, albeit as a sleeper hit more than three years after its original 1969 release on her album First Take, due to being included in Clint Eastwood's 1971 directorial film debut Play Misty for Me, ultimately topping the Billboard Year-End ...