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Cover of the Saturday Evening Post, February 4, 1922, entitled Flapper by Ellen B.T. Pyle.. Ellen Bernard Thompson Pyle (November 11, 1876 – August 1, 1936) was an American illustrator best known for the 40 covers she created for The Saturday Evening Post in the 1920s and 1930s under the guidance of Post editor-in-chief, George Horace Lorimer.
Falter used his friend, radio actor J. Scott Smart, as a model for Gramercy Park, the cover of the March 25, 1944 issue of The Saturday Evening Post. John Philip Falter (February 28, 1910 – May 20, 1982) was an American artist best known for his many cover paintings for The Saturday Evening Post.
The Saturday Evening Post published current event articles, editorials, human interest pieces, humor, illustrations, a letter column, poetry with contributions submitted by readers, single-panel gag cartoons, including Hazel by Ted Key, and stories by leading writers of the time. It was known for commissioning lavish illustrations and original ...
Rockwell was published eight times on the Post cover within the first year. Ultimately, Rockwell published 323 original covers for The Saturday Evening Post over 47 years. His Sharp Harmony appeared on the cover of the issue dated September 26, 1936; it depicts a barber and three clients, enjoying an a cappella song.
After rave reviews and requests, she illustrated six dolls to appear in the regular publications. From the 1930s to the 1940s, Hunter contributed 18 covers to the Saturday Evening Post. [6] In 1946, Hunter was approached by John Baurngarth to do a series of paintings depicting the everyday problems of a little boy and his dog.
In 1936, George Horace Lorimer, the famous editor at the Saturday Evening Post, retired and was replaced by Wesley Winans Stout (1937–1942) and then Ben Hibbs (1942–1962), both of whom rarely commissioned Leyendecker to illustrate covers. [19]
Stevan Dohanos (May 18, 1907 – July 4, 1994) was an American artist and illustrator of the social realism school, best known for his Saturday Evening Post covers, and responsible for several of the Don't Talk set of World War II propaganda posters. [1] He named Grant Wood and Edward Hopper as the greatest influences on his painting.
Between 1913 and 1936, MacLellan's work appeared on forty-four Saturday Evening Post covers, making him one of the most prolific Post cover illustrators of his day. MacLellan specialized in the female form, and nearly all of his cover illustrations feature a woman as the central, and often only, subject.
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