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"Allentown" is a song by American singer Billy Joel and the lead track on Joel's 1982 album The Nylon Curtain. Released as the album's second single, it was accompanied by a conceptual music video . Upon its release, and especially in subsequent years, "Allentown" emerged as an anthem of blue-collar America, representing both the aspirations ...
Billy Joel: Live at Yankee Stadium is the fourth video album by American singer-songwriter Billy Joel. It was recorded during two concerts of the Storm Front Tour at Yankee Stadium in New York City on June 22 and 23, 1990. It was televised on September 2, 1990, released on VHS later that year, and released on DVD in late 2000.
Here is the discography of American singer-songwriter Billy Joel.He has released 13 studio albums, seven live albums, 18 compilation albums, 10 video albums, 82 singles, three promotional singles, and 45 music videos.
"A Matter of Trust" is a song by Billy Joel from his 1986 album The Bridge. [2] It was released as the album's second single and became a top ten hit. The song gained major traction in the Soviet Union as part of a state-sponsored television promotion of Joel's songs in preparation for his 1987 USSR concerts, recorded on Kontsert .
Billy Joel is taking fans back in time. On Feb. 16, the music video for the Grammy Award winner's new single, “Turn The Lights Back On,” was released, transforming the “Piano Man” singer ...
At the beginning of the video, Joel plays "Piano Man" on his harmonica.The entire video pays homage to the film It's a Wonderful Life, [2] as the angelic Joel shows a suicidal young man named George Young, (played by Jason Andrews) [6] threatening to jump off a bridge because of a break-up with his girlfriend what life will be like without him, as his family and friends mourn his death—as ...
William Martin Joel (born May 9, 1949) is an American singer-songwriter, composer and pianist. Commonly nicknamed the "Piano Man", he has been making music since the 1960s ...
"The Longest Time" is a doo-wop song by Billy Joel, released in 1984 as the fourth single from the 1983 album An Innocent Man. Following the theme of the album in paying tribute to Joel's musical influences, the song is presented in the style of Frankie Lymon and the Teenagers.