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Japanese calligraphy (書道, shodō), also called shūji (習字), is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only , but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles.
These modifications set the foundation of Japanese-style calligraphy (Wayō 和様, as opposed to Chinese-style calligraphy or Karayō 唐様), which was later refined by other two masters, Fujiwara no Sukemasa and Fujiwara no Yukinari. Wayō was accredited and practiced, as a pure Japanese art form, until the mid-19th century.
Because the selection of which hiragana glyphs would become standardized was instituted by the government at the time (rather than as a natural evolution of the writing system) variant kana are effectively unused in modern Japan, save for some limited situations such as signboards, calligraphy, place names, and personal names. [5]
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Bokujinkai (墨人会, “People of the Ink,” est. 1952) is a Japanese calligraphy collective, research group, and exhibition society. It was founded by the calligraphers Shiryū Morita, Yūichi Inoue, Sōgen Eguchi, Yoshimichi Sekiya, and Bokushi Nakamura.
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Her first solo exhibition, The World of Calligraphy, was held in December 2005 in Ginza, Tokyo. People were moved to tears, and the gallery attracted recognition in newspapers and online. [1] This opened the door to her later accomplishments, as she eventually gained international regard. When creating her calligraphy, she wishes to make people ...
Bokuseki (墨跡) is a Japanese term meaning "ink trace", and refers to a form of Japanese calligraphy and more specifically a style of zenga developed by Zen monks. Bokuseki is often characterized by bold, assertive, and often abstract brush strokes meant to demonstrate the calligrapher's pure state of mind (see Samadhi ).